Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 116
... manner , mar- velled at by people so different and diverse as Pope and Hugo , which capitivate and bewitch us , and make some think we must explain , or accept without explaining , the inconsistencies within . These in comparison do not ...
... manner , mar- velled at by people so different and diverse as Pope and Hugo , which capitivate and bewitch us , and make some think we must explain , or accept without explaining , the inconsistencies within . These in comparison do not ...
Page 144
... manner when excited . ' Note him , ' she had said in the first Act to Charmian ; ' Note him , good Charmian , ' tis the man ; but note him . ' Again and again this dancing repetition recurs , as after Antony's death : - What , what ...
... manner when excited . ' Note him , ' she had said in the first Act to Charmian ; ' Note him , good Charmian , ' tis the man ; but note him . ' Again and again this dancing repetition recurs , as after Antony's death : - What , what ...
Page 399
... manner , both then and long afterwards in Van Diemen's Land , were winning in the extreme . A lover of nature , he ... manners of criminals , as we have seen , particularly of criminal men of genius such as Waine- wright , Villon ...
... manner , both then and long afterwards in Van Diemen's Land , were winning in the extreme . A lover of nature , he ... manners of criminals , as we have seen , particularly of criminal men of genius such as Waine- wright , Villon ...
Contents
The academic somewhat apologetic attitude of Shake | 3 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
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Common terms and phrases
actor Æschylus Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello passion person Plautus play poet poetry popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote