Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 142
... human heart contains four cham- bers , not one ; the human brain is folded into a thousand wrinkles and convolutions ; and Shakespeare gives us some- thing of the variety of life itself . To him man is not a fiddle with one string , as ...
... human heart contains four cham- bers , not one ; the human brain is folded into a thousand wrinkles and convolutions ; and Shakespeare gives us some- thing of the variety of life itself . To him man is not a fiddle with one string , as ...
Page 198
... humanity . But always , as here , there is the sword , a con- crete and human agent or minister ; the dramatically effec- tive vendetta and the cause of justice are one . There is in the text no evidence at all of that philosophical ...
... humanity . But always , as here , there is the sword , a con- crete and human agent or minister ; the dramatically effec- tive vendetta and the cause of justice are one . There is in the text no evidence at all of that philosophical ...
Page 401
... human body as well as Shake- speare knew the human soul . We marvel at the bold and subtle drawing of hands , limbs , and articulations . But not long ago a great artist pointed out the fact that in the ceiling of the Sistine Chapel ...
... human body as well as Shake- speare knew the human soul . We marvel at the bold and subtle drawing of hands , limbs , and articulations . But not long ago a great artist pointed out the fact that in the ceiling of the Sistine Chapel ...
Contents
The academic somewhat apologetic attitude of Shake | 3 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
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Common terms and phrases
actor Æschylus Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello passion person Plautus play poet poetry popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote