Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 55
... follow it -in Shakespeare only Hamlet and Brutus can be said to do this ; and if the women follow duty , it is oftenest the duty which is identical with the dictates of their hearts . Are we then to draw conclusions touching the life of ...
... follow it -in Shakespeare only Hamlet and Brutus can be said to do this ; and if the women follow duty , it is oftenest the duty which is identical with the dictates of their hearts . Are we then to draw conclusions touching the life of ...
Page 419
... follows the ironical dramatic reversal and traditional comic situation of the robbery of the robber " -'le voleur volé ' — and the fat rogue roaring and running off . What dunce in the audience would now fail to follow the drift ...
... follows the ironical dramatic reversal and traditional comic situation of the robbery of the robber " -'le voleur volé ' — and the fat rogue roaring and running off . What dunce in the audience would now fail to follow the drift ...
Page 432
... follow the wars - is no coward . To impute it to Falstaff's courage that he is in demand on the eve of war and goes to war without murmuring would mean that we must do the like to Parolles , who yearns for the wars in Italy and ...
... follow the wars - is no coward . To impute it to Falstaff's courage that he is in demand on the eve of war and goes to war without murmuring would mean that we must do the like to Parolles , who yearns for the wars in Italy and ...
Contents
The academic somewhat apologetic attitude of Shake | 3 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
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Common terms and phrases
actor Æschylus Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello passion person Plautus play poet poetry popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote