Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 407
... coward too . Johnson scoffed at his friend Morgann's innovation , — ' Why , Sir , we shall have the man come forth again ; and as he has proved Falstaff to be no coward , he may prove Iago to be a very good character , ' - and critics ...
... coward too . Johnson scoffed at his friend Morgann's innovation , — ' Why , Sir , we shall have the man come forth again ; and as he has proved Falstaff to be no coward , he may prove Iago to be a very good character , ' - and critics ...
Page 418
... coward boasting of his courage , " is a peren- nial situation , on the stage or off it . Parolles , Panurge , the 20 ... Coward : ' A coward is the man that is commonly most fierce against the coward . ' " In the drama all cowards boast ...
... coward boasting of his courage , " is a peren- nial situation , on the stage or off it . Parolles , Panurge , the 20 ... Coward : ' A coward is the man that is commonly most fierce against the coward . ' " In the drama all cowards boast ...
Page 423
... coward on the stage . Moron beats the bear once it is dead ; the Franc Archier de Baig- nollet ( c . 1480 ) beats the scarecrow once he recognizes it as such ; and in Shakespeare's time clowns played pranks on corpses both in England ...
... coward on the stage . Moron beats the bear once it is dead ; the Franc Archier de Baig- nollet ( c . 1480 ) beats the scarecrow once he recognizes it as such ; and in Shakespeare's time clowns played pranks on corpses both in England ...
Contents
The academic somewhat apologetic attitude of Shake | 3 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
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Common terms and phrases
actor Æschylus Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello passion person Plautus play poet poetry popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote