Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 94
... contrast . He can at the same time both love and hate more nobly and intensely than if he had come to hate gradually and naturally , of himself . His passion is given depth and volume . Now though Othello is incomparably the nobler ...
... contrast . He can at the same time both love and hate more nobly and intensely than if he had come to hate gradually and naturally , of himself . His passion is given depth and volume . Now though Othello is incomparably the nobler ...
Page 110
... contrast , striking in effect . Othello before he falls into Iago's toils , after he falls , and after ( the worse for it ) he escapes them , is one of the great stage - contrasts of all time . Hamlet , in company and out of it , is ...
... contrast , striking in effect . Othello before he falls into Iago's toils , after he falls , and after ( the worse for it ) he escapes them , is one of the great stage - contrasts of all time . Hamlet , in company and out of it , is ...
Page 134
... contrast that may be drawn by others , moreover , is moral rather than psycho- logical ; and how much better it is to revenge like Hamlet , any spectator must think , however tardily ! But this is neither here nor there . The contrasts ...
... contrast that may be drawn by others , moreover , is moral rather than psycho- logical ; and how much better it is to revenge like Hamlet , any spectator must think , however tardily ! But this is neither here nor there . The contrasts ...
Contents
The academic somewhat apologetic attitude of Shake | 3 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
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actor Æschylus Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello passion person Plautus play poet poetry popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote