Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page ix
... comedy . ( 6 ) In tragedy , and the beauty of the effect . ( 7 ) Jon- son's fine use of the device in comedy . ( 8 ) Origin of the device in Terence and Plautus . ( 9 ) In sixteenth- century Italian comedy . ( 10 ) In the old French ...
... comedy . ( 6 ) In tragedy , and the beauty of the effect . ( 7 ) Jon- son's fine use of the device in comedy . ( 8 ) Origin of the device in Terence and Plautus . ( 9 ) In sixteenth- century Italian comedy . ( 10 ) In the old French ...
Page 70
... comedy ? Perhaps the truth is that pure comedy , unlike tragedy and drama and most forms of fiction , depends for its existence on the construction of a conventional world in which , while human nature and human actions are revealed ...
... comedy ? Perhaps the truth is that pure comedy , unlike tragedy and drama and most forms of fiction , depends for its existence on the construction of a conventional world in which , while human nature and human actions are revealed ...
Page 153
... comedy . And that these are in verse is not to be wondered at , despite the practice of the Italians in comedy and the prescription of the Renais- sance . Verse is the halfway house on the road . " Whether this musical method be the ...
... comedy . And that these are in verse is not to be wondered at , despite the practice of the Italians in comedy and the prescription of the Renais- sance . Verse is the halfway house on the road . " Whether this musical method be the ...
Contents
The academic somewhat apologetic attitude of Shake | 3 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
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Common terms and phrases
actor Æschylus Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello passion person Plautus play poet poetry popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote