Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 31
... audience had taught their authors and the authors had taught their audience ; and now nothing else under heaven mattered , not rules of the drama , or canons of taste , or any other question , but only how he , an author , could move ...
... audience had taught their authors and the authors had taught their audience ; and now nothing else under heaven mattered , not rules of the drama , or canons of taste , or any other question , but only how he , an author , could move ...
Page 139
... audience may not fail to perceive there is the explicit comment or counsel of Aumerle and Carlisle ; and , besides , continually repeated , there is the clear contrast , of which Richard him- self is not conscious , between him and ...
... audience may not fail to perceive there is the explicit comment or counsel of Aumerle and Carlisle ; and , besides , continually repeated , there is the clear contrast , of which Richard him- self is not conscious , between him and ...
Page 213
... audience the super- natural character of the phenomenon . For it appears to the person in question and the audi- ence . The last circumstance is , I think , the crucial test of the objectivity of any Elizabethan ghost . Whatever , under ...
... audience the super- natural character of the phenomenon . For it appears to the person in question and the audi- ence . The last circumstance is , I think , the crucial test of the objectivity of any Elizabethan ghost . Whatever , under ...
Contents
The academic somewhat apologetic attitude of Shake | 3 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
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Common terms and phrases
actor Æschylus Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello passion person Plautus play poet poetry popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote