Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 84
... artist and as a man , and the two went no doubt hand in hand . But they were not one and the same - he was more than ... artist . On the one hand , an artist must change style not only because his thought and feelings are developing but ...
... artist and as a man , and the two went no doubt hand in hand . But they were not one and the same - he was more than ... artist . On the one hand , an artist must change style not only because his thought and feelings are developing but ...
Page 152
... artist takes to repetition almost instinctively and perforce . If he fail of his effect at the first attempt he may get it at the second , for the mere repetition suggests not only the comic intent but also a comic quality . Mere ...
... artist takes to repetition almost instinctively and perforce . If he fail of his effect at the first attempt he may get it at the second , for the mere repetition suggests not only the comic intent but also a comic quality . Mere ...
Page 401
... artist he was greater , or was truer to nature , than Michelangelo . In all that pertains to the representa- tion of the human form why not let Michelangelo be nature too ? Certainly he knew the human body as well as Shake- speare knew ...
... artist he was greater , or was truer to nature , than Michelangelo . In all that pertains to the representa- tion of the human form why not let Michelangelo be nature too ? Certainly he knew the human body as well as Shake- speare knew ...
Contents
The academic somewhat apologetic attitude of Shake | 3 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
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actor Æschylus Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello passion person Plautus play poet poetry popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote