Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
From inside the book
Results 1-3 of 68
Page 112
... Shake- speare treated rather externally and summarily , often with preparations narrative in method rather than ( in our sense of the word ) dramatic . 18 In the cases of King Lear and Romeo and Juliet there are contrasts almost as ...
... Shake- speare treated rather externally and summarily , often with preparations narrative in method rather than ( in our sense of the word ) dramatic . 18 In the cases of King Lear and Romeo and Juliet there are contrasts almost as ...
Page 246
... Shake- speare , there are no frauds . All such characters in Shake- speare , as well as their deeds and words , are treated sympathetically and without indignity . With him , more- over , the supernatural plays no comic rôle as it does ...
... Shake- speare , there are no frauds . All such characters in Shake- speare , as well as their deeds and words , are treated sympathetically and without indignity . With him , more- over , the supernatural plays no comic rôle as it does ...
Page 440
... shake their heads at the unenlight- enment of Aristophanes , and turning their backs on Shake- speare , Cervantes , and Molière , should proclaim the high- est species of humour to be intentional and conscious ; but it is to be wondered ...
... shake their heads at the unenlight- enment of Aristophanes , and turning their backs on Shake- speare , Cervantes , and Molière , should proclaim the high- est species of humour to be intentional and conscious ; but it is to be wondered ...
Contents
The academic somewhat apologetic attitude of Shake | 3 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
8 other sections not shown
Other editions - View all
Common terms and phrases
actor Æschylus Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello passion person Plautus play poet poetry popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote