Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 419
... Prince on Gadshill , ' How the fat rogue roared ' unless he had just been doing it ; or the Prince afterwards in Eastcheap could cast it up to Falstaff in the presence of all who heard him , without fear of denial - ' roar'd for mercy ...
... Prince on Gadshill , ' How the fat rogue roared ' unless he had just been doing it ; or the Prince afterwards in Eastcheap could cast it up to Falstaff in the presence of all who heard him , without fear of denial - ' roar'd for mercy ...
Page 422
... Prince whether he is not horribly afeard , and in reply is told that the Prince lacks some of his instinct . When told by the Prince that he had been procured a charge of foot , he cries , ' Well , God be thanked for these rebels , they ...
... Prince whether he is not horribly afeard , and in reply is told that the Prince lacks some of his instinct . When told by the Prince that he had been procured a charge of foot , he cries , ' Well , God be thanked for these rebels , they ...
Page 445
... Prince . Not to dispraise me and call me pantler and bread- chipper and I know not what ? Falstaff . No abuse , Hal . Poins . No abuse ? Falstaff . No abuse , Ned , i ' the world ; honest Ned , none . I dispraised him before the wicked ...
... Prince . Not to dispraise me and call me pantler and bread- chipper and I know not what ? Falstaff . No abuse , Hal . Poins . No abuse ? Falstaff . No abuse , Ned , i ' the world ; honest Ned , none . I dispraised him before the wicked ...
Contents
The academic somewhat apologetic attitude of Shake | 3 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
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Common terms and phrases
actor Æschylus Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello passion person Plautus play poet poetry popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote