Theory Into Poetry: New Approaches to the LyricEva Müller-Zettelmann, Margarete Rubik At the beginning of the 21st century, there is still no generally accepted comprehensive definition of the lyric or differentiated modern toolkit for its analysis. The reception of poetry is largely characterised either by an empathetic identification of critics with the lyric persona or by exclusive interest in formal patterning. The present volume seeks to remedy this deficit. All the contributors 'theorise' the lyric to overcome the impasse of an impressionistic and narrowly formalistic critical debate on the genre. Their papers focus on a variety of different questions: the problem of establishing a framework for definition and classification; the search for dynamic and potent critical approaches; investigations of poetry's cultural performance and its fundamental relevance for the construction of group cohesion. The essays collected in this volume offer a consciously polyphonic range of theories and interpretations, suggesting to the reader a variety of theoretical frameworks and practical illustrations of how a discussion of poetry may be firmly grounded in modern literary theory. |
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Page 10
... sequence of events depicted from a particular perspective. In the academic debate to date, the applica- tion of narratological categories to the description of poetic phenomena is uncontroversial only in relation to explicitly narrative ...
... sequence of events depicted from a particular perspective. In the academic debate to date, the applica- tion of narratological categories to the description of poetic phenomena is uncontroversial only in relation to explicitly narrative ...
Page 11
... sequence of events but must, according to Fludernik's definition, involve specificity and an embodied protagonist. Hence the medieval poems with the least situational anchoring are the allegori- cal poems: quasi-realism, Fludernik ...
... sequence of events but must, according to Fludernik's definition, involve specificity and an embodied protagonist. Hence the medieval poems with the least situational anchoring are the allegori- cal poems: quasi-realism, Fludernik ...
Page 13
... sequence, duration, change, fading, iteration) as well as of a number of special notions (absence, disguise, hidden order, individuality). Nänny emphasises that the iconic diagram is not self-explanatory but presupposes an act of ...
... sequence, duration, change, fading, iteration) as well as of a number of special notions (absence, disguise, hidden order, individuality). Nänny emphasises that the iconic diagram is not self-explanatory but presupposes an act of ...
Page 30
... sequences of events : hence the relative unimportance or even frequent lack of ( a series of ) external actions that would form a narrative development through chronology , causality and tele- ology ( cf. Nünning and Nünning Grundkurs ...
... sequences of events : hence the relative unimportance or even frequent lack of ( a series of ) external actions that would form a narrative development through chronology , causality and tele- ology ( cf. Nünning and Nünning Grundkurs ...
Page 51
... sequence of two states of being ( “ I crept before I walked ” [ l. 4 ] ) , which can also be seen in “ In Illo Tempore ” appears to point in the direc- tion of narrativity . On the other hand , since ' creeping ' and ' walking ' are to ...
... sequence of two states of being ( “ I crept before I walked ” [ l. 4 ] ) , which can also be seen in “ In Illo Tempore ” appears to point in the direc- tion of narrativity . On the other hand , since ' creeping ' and ' walking ' are to ...
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Theory Into Poetry: New Approaches to the Lyric Eva Müller-Zettelmann,Margarete Rubik No preview available - 2005 |
Theory Into Poetry: New Approaches to the Lyric Eva Müller-Zettelmann,Margarete Rubik No preview available - 2005 |
Common terms and phrases
Adorno aesthetic allegorical Andrew Motion Anne Hathaway beauty beloved British poetry chiasmus cognitive concept consciousness context critical cultural death defined definition deixis Dennett Digital poetry discourse drama Edmond Jabès elements emotional English erasure Essays example experience fact frame function genre theory historical Hühn human iconic identity imagination instance language linguistic literary literature London lyric insertions lyric poetry Lyrik Mallarmé meaning metafiction metalyric metaphor mode modern modernist Müller-Zettelmann narration Narratology nature novel Nünning Oxford particular Paul Celan performance Permutational perspective plot poem poet poetic poetological postmodern postmodernist present prose prototypical reader reading reference relevant rhyme romantic scene self-referentiality self-reflexive semantic semiotic sense sequence Shakespeare Shakespeare's Sonnets situation song speaker speaking specific speech acts stanza story structure sublime T. S. Eliot textual tion traits typical Univ utterance Valéry verse versification visual voice words