THE LIBRARY OF ART Embracing Painting, Sculpture, Architecture, etc. Edited by Mrs S. Arthur Strong, LL.D. Extra cloth, with lettering and design in gold. Large cr. 8vo (7 in. by 5 in.). 7s. 6d. net a volume. Postage 6d. LIST OF VOLUMES DONATELLO. By Lord Balcarres, M.P. (Earl Crawford). With 58 plates. GREAT MASTERS OF DUTCH AND FLEMISH PAINTING. By W. REMBRANDT. By G. Baldwin Brown, of the University of Edinburgh. With 45 plates. ANTONIO POLLAIUOLO. By Maud Cruttwell. With 50 plates. ARCHITECTS. By E. Beresford VERROCCHIO. By Maud Cruttwell. With 48 plates. THE LIVES OF THE BRITISH Chancellor. With 45 plates. THE SCHOOL OF MADRID. By A. de Beruete y Moret. With 48 plates. WILLIAM BLAKE. By Basil de Selincourt. With 40 plates. GIOTTO. By Basil de Selincourt. With 44 plates. FRENCH PAINTING IN THE SIXTEENTH CENTURY. By L. Dimier. With 50 plates. THE SCHOOL OF FERRARA. By Edmund G. Gardner. With 50 plates. SIX GREEK SCULPTORS. (Myron, Pheidias, Polykleitos, Skopas, By Ernest Gardner. With 81 plates. Praxiteles, and Lysippos.) TITIAN. By Georg Gronau. With 54 plates. CONSTABLE. By M. Sturge Henderson. With 48 plates. MICHAEL ANGELO. By Sir Charles Holroyd. With 52 plates. drawings in the text. With 66 plates and 120 THE SCOTTISH SCHOOL OF PAINTING. By William D. McKay, R.S. A. With 46 plates. Christopher WREN. By Lena Milman. With upwards of 60 plates. CORREGGIO. By T. Sturge Moore. With 55 plates. THE LIBRARY OF ART-continued ALBERT DÜRER. By T. Sturge Moore. With 4 copperplates and 50 half-tone engravings. · SIR WILLIAM BEECHEY, R.A. By W. Roberts. With 49 plates. THE SCHOOL OF SEVILLE. By N. Sentenach. With 50 plates. With ROMAN SCULPTURE FROM AUGUSTUS TO CONSTANTINE. By Mrs S. Arthur Strong, LL.D., Editor of the Series. 2 vols. 130 plates. THE POPULAR LIBRARY OF ART Pocket volumes of biographical and critical value, with very many reproductions of the artists' works. Each volume averages 200 pages, 16mo, with from 40 to 50 illustrations, quarter-bound cloth. 35. net a volume. Postage 4d. LIST OF VOLUMES BOTTICELLI. By Julia Cartwright. RAPHAEL. By Julia Cartwright. FREDERICK WALKER. By Clementina Black. REMBRANDT. By Auguste Bréal. VELAZQUEZ. By Auguste Bréal. GAINSBOROUGH. CRUIKSHANK. By Arthur B. Chamberlain, By W. H. Chesson. BLAKE. By G. K. Chesterton. G. F. WATTS. By G. K. Chesterton. ALBRECHT DÜRER. By Lina Eckenstein. THE ENGLISH WATER-COLOUR PAINTERS. By A. J. Finberg. HOGARTH. By Edward Garnett. LEONARDO DA VINCI. By Georg Gronau. HOLBEIN. By Ford Madox Hueffer. ROSSETTI. By Ford Madox Hueffer, THE POPULAR LIBRARY OF ART-continued THE PRE-RAPHAELITE BROTHERHOOD. By Ford Madox Hueffer. PERUGINO. By Edward Hutton. MILLET. By Romain Rolland. WATTEAU. By Camille Mauclair. By Camille Mauclair. MASTERS OF PAINTING With many illustrations in photogravure. A series which gives in each volume a large number of examples reproduced in photogravure of the works of its subject. The first series of books on art issued at a popular price to use this beautiful method of reproduction. The letterpress is the same as the volumes in the Popular Library of Art, but it is reset, the size of the volumes being 8 ins. by 5 ins. There are no less than 32 plates in each book. Bound in cloth with gold on side, gold lettering on back picture wrapper, 5s. net a volume, postage 5d. This is the first time that a number of photogravure illustrations have been given in a series published at a popular price. The process having been very costly has been reserved for expensive volumes or restricted to perhaps a frontispiece in the case of books issued at a moderate price. A new departure in the art of printing has recently been made with the machining of photogravures; the wonderfully clear detail and beautifully soft effect of the photogravure reproductions being obtained as effectively as by the old method. It is this great advance in the printing of illustrations which makes it possible to produce this series. The volumes are designed to give as much value as possible, and for the time being are the last word in popular book production. It would be difficult to conceive of more concise, suggestive, and helpful volumes than these. All who read them will be aware of a sensible increase in their knowledge and appreciation of art and the world's masterpieces. The six volumes are: RAPHAEL. By Julia Cartwright. ROSSETTI. By Ford Madox Hueffer, THE CROWN LIBRARY The books included in this series are standard copyright works, issued in similar style at a uniform price, and are eminently suited for the library. They are particularly acceptable as prize volumes for advanced students. Demy 8vo, size 9 in. by 5 in. in. by 5 in. Cloth gilt, gilt top. Postage 6d. 7s. 6d. net. THE RUBÁ'IVÁT OF 'UMAR KHAYYÁM (Fitzgerald's 2nd Edition). Edited, with an Introduction and Notes, by Edward Heron Allen. SCIENCE AND RELIGION IN CONTEMPORARY PHILOSOPHY. By Emile Boutroux. WANDERINGS IN ARABIA. By Charles M. Doughty. An abridged edition of "Travels in Arabia Deserta." With portrait and map. In 2 vols. FOLK-LORE OF THE HOLY LAND: Moslem, Christian, and Jewish. By J. E. Hanauer. Edited by Marmaduke Pickthall. LIFE AND EVOLUTION. By F. W. Headley, F.Z.S. With upwards of 100 illustrations. New and revised edition (1913). BIRDS AND MAN. By W. H. Hudson. With a frontispiece in colour. THE NOTE-BOOKS OF LEONARDO DA VINCI. Edited by Edward McCurdy. With 14 illustrations. THE LIFE And Letters oF LESLIE STEPHEN. By F. W. Maitland. With a photogravure portrait. THE COUNTRY MONTH BY MONTH. By J. A. Owen and G. S. Boulger. With notes on Birds by Lord Lilford. With 12 illustrations in colour and 20 in black and white. |