The Science of Discourse |
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Page 16
... impression ; and the fuller and the more accurate the comprehension of the selection the more nearly will there be confessed unity of effect , and the more pronounced the conviction that the author knew what he was about in the writing ...
... impression ; and the fuller and the more accurate the comprehension of the selection the more nearly will there be confessed unity of effect , and the more pronounced the conviction that the author knew what he was about in the writing ...
Page 32
... impression do I wish to leave ? or , Just what action do I wish to prompt ? When a high - school pupil makes a choice of his graduating theme , he must be examined as to the ground of his choice . Should he choose , Every Cloud has a ...
... impression do I wish to leave ? or , Just what action do I wish to prompt ? When a high - school pupil makes a choice of his graduating theme , he must be examined as to the ground of his choice . Should he choose , Every Cloud has a ...
Page 95
... given to description ; but only by ascertaining whether the writer intended to leave the impression of a fixed or of a changing object , The first step in narration is that of presenting THE THE THOUGHT IN DISCOURSE . 95.
... given to description ; but only by ascertaining whether the writer intended to leave the impression of a fixed or of a changing object , The first step in narration is that of presenting THE THE THOUGHT IN DISCOURSE . 95.
Page 97
... to explain events under discussion . This not only shortens the narrative process , but it deepens the - impression . For this reason two events equally well THE THOUGHT IN DISCOURSE . 97 Cause and Effect Likeness and Difference.
... to explain events under discussion . This not only shortens the narrative process , but it deepens the - impression . For this reason two events equally well THE THOUGHT IN DISCOURSE . 97 Cause and Effect Likeness and Difference.
Page 98
Arnold Tompkins. - impression . For this reason two events equally well known may be compared and contrasted with great advantage . Changes may be compared under all the foregoing relations — purpose , time , cause , and effect ; and ...
Arnold Tompkins. - impression . For this reason two events equally well known may be compared and contrasted with great advantage . Changes may be compared under all the foregoing relations — purpose , time , cause , and effect ; and ...
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adaptation Allegory Amphibrach Anapaest apple argument Asyndeton attention attri attributes basis beauty called cause and effect clear common comparison and contrast composer conception condition connection conscious copula definite desire distinct effort Elegance elements emotions end sought energy essential euphony exposition expression fact feeling figure force given gives growing on trees guage hearer Hence idea ideal imagination impression individual induction inferred interpretation judgment language form law of unity liquid consonants literal literary logical means ment Metaphor Metonymy mind addressed move movement narration nature object oration oratory organic organic unity periodic sentence phases Pleonasm poem poetry Polysyndeton presented preter principle produced prose purpose reader reading relation requires resemblance rhetoric secured selection sense sentence Sir Launfal sound speaker style syllable syllogism Synecdoche Tautology tences theme things thought tion Trochee truth unified unit utterance vincing power whole words writer