Hamlet'The Mona Lisa of literature' T. S. Eliot |
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... directions. Of course, in performance the question has to be settled; the actor and director will decide. But the significant point is that Shakespeare wasn't sufficiently interested in the Queen to write any more dialogue for her. Her ...
... directions. Of course, in performance the question has to be settled; the actor and director will decide. But the significant point is that Shakespeare wasn't sufficiently interested in the Queen to write any more dialogue for her. Her ...
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... directions at V.2.275 and V.2.343) may seem to be part of the King's carousing, but they turn out to be the commotion of an invasion. This is not the only way to read the scene, but it does develop an emphasis that is in the text. The ...
... directions at V.2.275 and V.2.343) may seem to be part of the King's carousing, but they turn out to be the commotion of an invasion. This is not the only way to read the scene, but it does develop an emphasis that is in the text. The ...
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... directions that suit the state. The institution of marriage is supposed to ensure that suitable and fit human beings will combine to secure the continuation of the social unit, maintaining not only the gene pool but also the class ...
... directions that suit the state. The institution of marriage is supposed to ensure that suitable and fit human beings will combine to secure the continuation of the social unit, maintaining not only the gene pool but also the class ...
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action actor audience BARNARDO behaviour blood character Christian Claudius Claudius’s Danish dead dear Denmark doth e’en Elizabethan England Enter Hamlet Enter the King Exeunt Exit eyes F reads father fear Fortinbras friends gentleman Gertrude Ghost give God’s hast hath hear heart heaven honour in’t is’t Jephthah judgement Julius Caesar killed King and Queen King Claudius King Hamlet King of Denmark King’s Laertes Laertes’s look madness MARCELLUS marriage means misogyny mother murder nature night Norway o’er Ophelia OSRICK Paul Prescott performance perhaps phrase play play’s PLAYER poison Pollax Polonius Polonius’s pray Presumably Prince Prince Hamlet probably Pyrrhus Q2 and F Q2 reads Quarto rapiers revenge REYNALDO Richard II Rosencrantz and Guildenstern scene SECOND CLOWN seems sense Shakespeare soliloquy soul speak speech sweet sword tell theatre thee There’s thou thoughts tragedy Trumpets Voltemand what’s word