Thy. What do you mean? Atr. Does not good wine beget good blood? Thy. 'Tis true. Atr. Your lips then and the wine may be a-kin. Off with your kindred wine; leave not a drop To die alone, bewilder'd in that bowl. Help him to heave it to his head; that's well. (Thyestes drinks. A clap of thunder. The lights go out.) Thy. What pond'rous crimes pull heav'n upon our heads? Nature is choak'd with some vast villainy, And all her face is black. Atr. Some lights, some lights. Thy. The sky is stunn'd, and reels 'twixt night and day; Old Chaos is return'd. Atr. It is to see A young One born, more dreadful than herself; And to restore her empire. Thy. What do you mean? Atr. Confusion I have in thy bowels made. Thy. Dire thoughts, like Furies, break into my mind With flaming brands, and shew me what he means. Where is Philisthenes ? Atr. Ask thy own bowels: Thou heardst them groan; perhaps they now will speak. BRUTUS OF ALBA. A TRAGEDY [PUBLISHED 1678]. BY NAHUM TATE [1652-1715] Ragusa, and four more Witches, about to raise a storm. Rag. "Tis time we were preparing for the storm. Heed me, ye daughters of the mystic art; Look that it be no common hurricane, But such as rend the Caspian cliffs, and from Th' Hyrcanian hills sweep cedars, roots and all. Speak; goes all right? 2 All. Uh! Uh! Uh! Uh ! 3 [See also "Serious Fragments," p. 571. For other extracts from Crowne see note on page 536.] [Five and a half lines omitted.] [Two lines omitted.] 1st W. The cricket leaves our cave, and chirps no more. 2nd W. I stuck a ram, but could not stain my steel. 3rd W. His fat consumed in th' fire, and never smok'd. 4th W. I found this morn upon our furnace wall Mysterious words wrought by a slimy snail, Whose night-walk fate had guided in that form.1 2nd W. Thou'rt queen of mysteries, great Ragusa. Stand off; and, crouching, mystic postures make, And mutter sounds too secret for your ear. (Storm rises.) Rag. The storm's on wing, comes powdering from the Nore; "Tis past the Alps already, and whirls forward To th' Apennine, whose rifted snow is swept To th' vales beneath, while cots and folds lie buried.3 Thou Myrza tak'st to-night an airy march To th' Pontic shore for drugs; and for more speed 4th W. He shall be drench'd.5 Rag. Aye, this is music! now methinks I hear The shrieks of sinking sailors, tackle rent, Rudders unhing'd, while the sea-raveners swift (Storm thickens.) Scour thro' the dark flood for the diving corpses. (The owl cries.) Ha! art thou there, my melancholy sister? Thou think'st thy nap was short, and art surpris'd To find night fallen already. More turf to th' fire, till the black mesh ferment; Burn th' oil of basilisk to fret the storm. That was a merry clap: I know that cloud 1 [Fifteen lines omitted.] 3 [Six lines.] 4 [Sails.] [Eight and a half lines.] [A page.] Near a lone oak forlorn and thunder-cleft, For vipers' flesh is now my only food, My drink of springs that stream from sulph'rous mines; I am almost inured for hell's worst tortures. I hear the wood-nymphs cry; by that I know but day clears up, And heav'nly light wounds my infectious eyes. 1st W. Now, sullen Dame, dost thou approve our works? To lash the storm, which we pursued to th' City, 3rd W. I fired the turret of Minerva's fane. And frisk'd about, so well I plied the fire. Rag. Now as I hate bright day, and love moonshine, You shall be all my sisters in the art: I will instruct thee in each mystery; Make ye all Ragusas. All. Ho! Ho! Ho! Rag. Around me, and I'll deal to each her dole. There's an elf-lock, tooth of hermaphrodite, A brace of mandrakes digg'd in fairy ground, A lamprey's chain, snake's eggs, dead sparks of thunder Wrapt i' the dried caul of a brat still-born. In whispers take the rest, which named aloud 1 Her cows. 3 [Ed. of 1678.] [Act iii.3] 2["The Tempter has prevailed, 'T was a sure philtre."] Soziman, a wicked Statesman, employs Ragusa for a charm. Rag. my drudges I'll employ To frame with their best arts a bracelet for thee, I should be more than mortal. Rag. Near my cell, 'Mongst circling rocks (in form a theatre) Lies a snug vale— Soz. With horror I have view'd it; "Tis blasted all and bare as th' ocean beach, And seems a round for elves to revel in. Rag. With my attendants there each waning moon With gambols, dances, masks and revelling songs, While demons kiss thy foot, and swear thee homage. [Act iv., p. 33.] Ragusa, with the other Witches, having finished the bracelet. Rag. Proceed we then to finish our black projects.— View here, till from your green distilling eyes The poisonous glances center on this bracelet, A fatal gift for our projecting son ; Seven hours odd minutes has it steept i' th' gall And with th' infectious dew of your black breaths [Act v., p. 45.] A [SICILY AND NAPLES OR] THE FATAL UNION. TRAGEDY [PUBLISHED 1640]. AUTHOR UNKNOWN. [BY SAMUEL HARDING (FLOURISHED 1641)] Dirge. Noblest bodies are but gilded clay. But the precious shining rind, The inmost rottenness remains behind. He, a thousand Kings before, And dig for diamonds in each eye; On that tongue, his people's law. Fools, ah! fools are we that [who] so contrive, In each gaudy ornament, Who shall his corpse in the best dish present. [Act iii., Sc. 2.1] BLURT, MASTER CONSTABLE. A COMEDY [PUB LISHED 1602]. BY T. MIDDLETON Lover kept awake by Love. Ah! how can I sleep? 2 he, who truly loves, And when the lamb bleating doth bid good night To keep quick time unto the owl, whose voice Shrieks like the bellman in the lover's ears: Love's eye the jewel of sleep oh! seldom wears. The early lark is waken'd from her bed, Being only by Love's plaints disquieted ; 1 1 [Ed. of 1640.] "["Sleep" is inserted by Lamb, from the previous speaker's words.] |