Yearbook of Comparative Criticism, Volume 3Joseph Strelka |
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Page 26
... writer with the revelatory sign of his being is existential : it is the en- counter of his " ontological " freedom , not the encounter of some freedom of action that may be given him externally and hence is borrowed , but with the ...
... writer with the revelatory sign of his being is existential : it is the en- counter of his " ontological " freedom , not the encounter of some freedom of action that may be given him externally and hence is borrowed , but with the ...
Page 79
... writer's hesitant pen , begets that variation of language which imperceptibly turns it into something quite different . No one seems even to have embarked on the resumption of this analysis.1 Today Paul Valéry's wish has been fulfilled ...
... writer's hesitant pen , begets that variation of language which imperceptibly turns it into something quite different . No one seems even to have embarked on the resumption of this analysis.1 Today Paul Valéry's wish has been fulfilled ...
Page 137
... writers never made the peculiar modern assumption that a work exists in some sort of vacuum , that it does not have an audience . No poet , philosopher , or prose writer ever thought he worked solely for himself . They were concerned ...
... writers never made the peculiar modern assumption that a work exists in some sort of vacuum , that it does not have an audience . No poet , philosopher , or prose writer ever thought he worked solely for himself . They were concerned ...
Contents
PREFACE | 1 |
THE EXISTENTIAL | 15 |
STYLISTIC FORCES IN THE NARRATIVE | 42 |
Copyright | |
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according action analysis appear approach aspects become beginning called century character coherence common concept concerned contributions course criticism cultural definition described determined direct discussion effect elements epoch essential established example existence experience expression fact feeling figures follows force freedom French function give given historical human idea important individual interest interpretation kind language laws lengths less limited linguistic literary literature logical matter meaning method mind motif narrative nature novel objective observation Paris pattern period style philosophical poetic poetry position possible present principle problem psychology question reason reference relation relationship represents result rhetoric sense sentence sequence social society space speaking speech structure stylistic symbolic thematic themes theory things thought tion traditional turn understanding University various whole writer