Yearbook of Comparative Criticism, Volume 3Joseph Strelka |
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Page 74
... specific function in a specific man- ner . Thus our formula summarizing this observation tells us , in the case of the first four examples , exactly how the author is following certain laws in terms of sentence lengths without himself ...
... specific function in a specific man- ner . Thus our formula summarizing this observation tells us , in the case of the first four examples , exactly how the author is following certain laws in terms of sentence lengths without himself ...
Page 91
... specific character became indistinct and even indistinguishable . It caused the element of individuality to be swallowed up in general movements and trends that gave priority to the intellectual physiognomy of over - all historical situ ...
... specific character became indistinct and even indistinguishable . It caused the element of individuality to be swallowed up in general movements and trends that gave priority to the intellectual physiognomy of over - all historical situ ...
Page 94
... specific historicity , that it belongs to and is committed to a specific period . The very fact of this radically altered contemporary awareness demands an altered attitude toward the works of the past and engenders the search for a ...
... specific historicity , that it belongs to and is committed to a specific period . The very fact of this radically altered contemporary awareness demands an altered attitude toward the works of the past and engenders the search for a ...
Contents
PREFACE | 1 |
THE EXISTENTIAL | 15 |
STYLISTIC FORCES IN THE NARRATIVE | 42 |
Copyright | |
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aesthetic analysis approach Aristotle artistic aspects Baroque century character Chateaubriand classical concept concerned contributions cosmic gesture creative cultural cultural-sociological definition descriptive linguistics discourse effect elements epoch essay example existence existential experience expression fact freedom French function geistesgeschichtliche genre German Goethe historical human I. A. Richards indirect style individual interpretation intonation kind language linguistic literary criticism literature logical lyric poetry Maori meaning metaphor metonymic modern motif clusters narrative narrator nature novel objective Orphic Paris pattern period style perspective phase phenomena philosophical phonetics poet poetic poetry present principle problem prose psychoanalysis psychology question Rangi and Papa relation relationship rhetoric rhythms Romanticism Rutebeuf sense sentence lengths sequence social space spatial speaking speech structure Sturm und Drang stylistic force subjectivization syllables symbolic themes theory things thought tion traditional words writer Zeitgeist