Yearbook of Comparative Criticism, Volume 3Joseph Strelka |
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Page 31
... poetry's pro- found life . But if instead we place the themes in relation to the poetic soul's fundamental experience , we give thematics a spiritual framework and gain the possibility of working out a philosophy of themes without which ...
... poetry's pro- found life . But if instead we place the themes in relation to the poetic soul's fundamental experience , we give thematics a spiritual framework and gain the possibility of working out a philosophy of themes without which ...
Page 136
... Poetry , " offers not merely the commonplace that poetry is the work of imagination , but the extreme claim supported by the condescending question of W. B. Yeats , " What is rhetoric but the will trying to do the work of the imagina ...
... Poetry , " offers not merely the commonplace that poetry is the work of imagination , but the extreme claim supported by the condescending question of W. B. Yeats , " What is rhetoric but the will trying to do the work of the imagina ...
Page 248
... poetry can only be understood in terms of its spe- cific society . Caudwell has English poetry , from 1500 to the 20th cen- tury , depend almost exclusively on the bourgeoisie , whose concept of liberty , in his view , rests on an ...
... poetry can only be understood in terms of its spe- cific society . Caudwell has English poetry , from 1500 to the 20th cen- tury , depend almost exclusively on the bourgeoisie , whose concept of liberty , in his view , rests on an ...
Contents
PREFACE | 1 |
THE EXISTENTIAL | 15 |
STYLISTIC FORCES IN THE NARRATIVE | 42 |
Copyright | |
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aesthetic analysis approach Aristotle artistic aspects Baroque century character Chateaubriand classical concept concerned contributions cosmic gesture creative cultural cultural-sociological definition descriptive linguistics discourse effect elements epoch essay example existence existential experience expression fact freedom French function geistesgeschichtliche genre German Goethe historical human I. A. Richards indirect style individual interpretation intonation kind language linguistic literary criticism literature logical lyric poetry Maori meaning metaphor metonymic modern motif clusters narrative narrator nature novel objective Orphic Paris pattern period style perspective phase phenomena philosophical phonetics poet poetic poetry present principle problem prose psychoanalysis psychology question Rangi and Papa relation relationship rhetoric rhythms Romanticism Rutebeuf sense sentence lengths sequence social space spatial speaking speech structure Sturm und Drang stylistic force subjectivization syllables symbolic themes theory things thought tion traditional words writer Zeitgeist