Yearbook of Comparative Criticism, Volume 3Joseph Strelka |
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Page 10
... object , a painting , for instance , looking around / noticing the object . The faintly logical nature of these sequences - infrequent elsewhere is easily recognized in that each expression , on the whole , merely repeats its antecedent ...
... object , a painting , for instance , looking around / noticing the object . The faintly logical nature of these sequences - infrequent elsewhere is easily recognized in that each expression , on the whole , merely repeats its antecedent ...
Page 102
Joseph Strelka. may be called period style . The closer the eye approaches the objects under observation , the more ... object and form and sought eman- cipation from social involvement , a voice in which the " I " looked inward and ...
Joseph Strelka. may be called period style . The closer the eye approaches the objects under observation , the more ... object and form and sought eman- cipation from social involvement , a voice in which the " I " looked inward and ...
Page 125
... object of study . A good teacher of literature should bring the student to the literary text and help him to ... objects in setting forth the text are to determine its background and theme and to perceive how it is presented by the ...
... object of study . A good teacher of literature should bring the student to the literary text and help him to ... objects in setting forth the text are to determine its background and theme and to perceive how it is presented by the ...
Contents
PREFACE | 1 |
THE EXISTENTIAL | 15 |
STYLISTIC FORCES IN THE NARRATIVE | 42 |
Copyright | |
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