Yearbook of Comparative Criticism, Volume 3Joseph Strelka |
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Page 7
... narrative into an organic process as it approaches its " end " or " conclusion . " What are we to call this general pattern of narrative actions where some appear important and intensely charged with novelesque features , e.g. ...
... narrative into an organic process as it approaches its " end " or " conclusion . " What are we to call this general pattern of narrative actions where some appear important and intensely charged with novelesque features , e.g. ...
Page 8
... narrative art — the performance and the application of a pattern - consists precisely of endowing these struc- tural determinants ( the only concern of which is the " well - being " of the narrative , not that of this or the other ...
... narrative art — the performance and the application of a pattern - consists precisely of endowing these struc- tural determinants ( the only concern of which is the " well - being " of the narrative , not that of this or the other ...
Page 13
... narration . The event or the action nucleus in which it is expressed - is endlessly prolongued by its preceding events , the most typical example being the flashback . From the point of view of action , the principle of narrative art ...
... narration . The event or the action nucleus in which it is expressed - is endlessly prolongued by its preceding events , the most typical example being the flashback . From the point of view of action , the principle of narrative art ...
Contents
PREFACE | 1 |
THE EXISTENTIAL | 15 |
STYLISTIC FORCES IN THE NARRATIVE | 42 |
Copyright | |
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