Yearbook of Comparative Criticism, Volume 3Joseph Strelka |
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Page 9
... mind — that very moment as one “ devours ” the story - for adjustments in concept , and constantly to reduce the novelty of what one has just read to familiar concepts which , in turn , have resulted from the vast pattern of previous ...
... mind — that very moment as one “ devours ” the story - for adjustments in concept , and constantly to reduce the novelty of what one has just read to familiar concepts which , in turn , have resulted from the vast pattern of previous ...
Page 18
... mind to write books of philosophy for the sake of philosophers , and I have sent you the first one ; 3 before the ... minds were still inflamed by the question of deciding whether or not the writer should be " engaged . " The whole ...
... mind to write books of philosophy for the sake of philosophers , and I have sent you the first one ; 3 before the ... minds were still inflamed by the question of deciding whether or not the writer should be " engaged . " The whole ...
Page 91
... mind of the advancing twentieth century that became particularly noticeable in Germany after World War II . For many reasons ( which I shall not go into here ) , this state of mind entailed the demolition— the negation , even - of ...
... mind of the advancing twentieth century that became particularly noticeable in Germany after World War II . For many reasons ( which I shall not go into here ) , this state of mind entailed the demolition— the negation , even - of ...
Contents
PREFACE | 1 |
THE EXISTENTIAL | 15 |
STYLISTIC FORCES IN THE NARRATIVE | 42 |
Copyright | |
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