Yearbook of Comparative Criticism, Volume 3Joseph Strelka |
From inside the book
Results 1-3 of 17
Page 9
... material - in a variety of structures , to strive for concepts or labels which more or less sum up the profuse sequence of observa- tions . To read is to prepare in one's own mind — that very moment as one “ devours ” the story - for ...
... material - in a variety of structures , to strive for concepts or labels which more or less sum up the profuse sequence of observa- tions . To read is to prepare in one's own mind — that very moment as one “ devours ” the story - for ...
Page 102
... material and theme , the norms of manners , outlook , and morals . He schooled himself on the relevant model , trying to attain and surpass this model by a still greater artistic perfection . He created literature within the acknowl ...
... material and theme , the norms of manners , outlook , and morals . He schooled himself on the relevant model , trying to attain and surpass this model by a still greater artistic perfection . He created literature within the acknowl ...
Page 108
... material and the spiritual , between sensuous happiness and spiritual joy , between form and content , nature and reason , self - love and love for mankind , freedom and order . Beauty brings peace . In this sense the creation of beauty ...
... material and the spiritual , between sensuous happiness and spiritual joy , between form and content , nature and reason , self - love and love for mankind , freedom and order . Beauty brings peace . In this sense the creation of beauty ...
Contents
PREFACE | 1 |
THE EXISTENTIAL | 15 |
STYLISTIC FORCES IN THE NARRATIVE | 42 |
Copyright | |
10 other sections not shown
Other editions - View all
Common terms and phrases
according action analysis appear approach aspects become beginning called century character coherence common concept concerned contributions course criticism cultural definition described determined direct discussion effect elements epoch essential established example existence experience expression fact feeling figures follows force freedom French function give given historical human idea important individual interest interpretation kind language laws lengths less limited linguistic literary literature logical matter meaning method mind motif narrative nature novel objective observation Paris pattern period style philosophical poetic poetry position possible present principle problem psychology question reason reference relation relationship represents result rhetoric sense sentence sequence social society space speaking speech structure stylistic symbolic thematic themes theory things thought tion traditional turn understanding University various whole writer