Yearbook of Comparative Criticism, Volume 3Joseph Strelka |
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Page 9
... fact , of something already written , read , and done . Thus , finding the label is by no means the work of my imagination , left , as it were , to my fancy alone ; to find the proper label is to find this already which constitutes the ...
... fact , of something already written , read , and done . Thus , finding the label is by no means the work of my imagination , left , as it were , to my fancy alone ; to find the proper label is to find this already which constitutes the ...
Page 207
... fact of literari- ness , in this sense , is what is shared by texts otherwise so disparate as Rousseau's Confessions and Nouvelle Héloïse , alongside the poems of Coleridge and Cicero's speeches . Literary discourse tends to contain ...
... fact of literari- ness , in this sense , is what is shared by texts otherwise so disparate as Rousseau's Confessions and Nouvelle Héloïse , alongside the poems of Coleridge and Cicero's speeches . Literary discourse tends to contain ...
Page 211
... fact , he defends the kind of " structural descriptions " provided by generative grammar on grounds of greater adequacy ; he proposes to improve upon theories that , in his view , have reached a dead - end . Furthermore , Chomsky is ...
... fact , he defends the kind of " structural descriptions " provided by generative grammar on grounds of greater adequacy ; he proposes to improve upon theories that , in his view , have reached a dead - end . Furthermore , Chomsky is ...
Contents
PREFACE | 1 |
THE EXISTENTIAL | 15 |
STYLISTIC FORCES IN THE NARRATIVE | 42 |
Copyright | |
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aesthetic analysis approach Aristotle artistic aspects Baroque century character Chateaubriand classical concept concerned contributions cosmic gesture creative cultural cultural-sociological definition descriptive linguistics discourse effect elements epoch essay example existence existential experience expression fact freedom French function geistesgeschichtliche genre German Goethe historical human I. A. Richards indirect style individual interpretation intonation kind language linguistic literary criticism literature logical lyric poetry Maori meaning metaphor metonymic modern motif clusters narrative narrator nature novel objective Orphic Paris pattern period style perspective phase phenomena philosophical phonetics poet poetic poetry present principle problem prose psychoanalysis psychology question Rangi and Papa relation relationship rhetoric rhythms Romanticism Rutebeuf sense sentence lengths sequence social space spatial speaking speech structure Sturm und Drang stylistic force subjectivization syllables symbolic themes theory things thought tion traditional words writer Zeitgeist