Yearbook of Comparative Criticism, Volume 3Joseph Strelka |
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Page 66
... elements . In terms of their metric order , poems may be compared to crystals . The atomic components of crystals show both close order and extended order . Like natural crystals , poems have dislocations that may , under certain ...
... elements . In terms of their metric order , poems may be compared to crystals . The atomic components of crystals show both close order and extended order . Like natural crystals , poems have dislocations that may , under certain ...
Page 164
... elements out of notice , a process which takes place by means of such after - images or after - sensations . Yet both the dropping- out of the more diffuse , and the holding - on to the less diffuse are subject to order , and the ...
... elements out of notice , a process which takes place by means of such after - images or after - sensations . Yet both the dropping- out of the more diffuse , and the holding - on to the less diffuse are subject to order , and the ...
Page 181
... element , or composi- tional form . Those elements which are inherent within a work , since they are common to all works of that kind , cannot logically be used to distinguish one work from another within the same group . If an element ...
... element , or composi- tional form . Those elements which are inherent within a work , since they are common to all works of that kind , cannot logically be used to distinguish one work from another within the same group . If an element ...
Contents
PREFACE | 1 |
THE EXISTENTIAL | 15 |
STYLISTIC FORCES IN THE NARRATIVE | 42 |
Copyright | |
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according action analysis appear approach aspects become beginning called century character coherence common concept concerned contributions course criticism cultural definition described determined direct discussion effect elements epoch essential established example existence experience expression fact feeling figures follows force freedom French function give given historical human idea important individual interest interpretation kind language laws lengths less limited linguistic literary literature logical matter meaning method mind motif narrative nature novel objective observation Paris pattern period style philosophical poetic poetry position possible present principle problem psychology question reason reference relation relationship represents result rhetoric sense sentence sequence social society space speaking speech structure stylistic symbolic thematic themes theory things thought tion traditional turn understanding University various whole writer