Yearbook of Comparative Criticism, Volume 3Joseph Strelka |
From inside the book
Results 1-3 of 40
Page 35
... course . In modern science this behavior is basically the same as that of primitive peoples who cause the moon or the sun to speak — all we have done is reduce objects to their motion , and it is their motion that we cause to speak by ...
... course . In modern science this behavior is basically the same as that of primitive peoples who cause the moon or the sun to speak — all we have done is reduce objects to their motion , and it is their motion that we cause to speak by ...
Page 80
... course , nothing new in this - apart from the contrasting of similarity and contiguity — but the strictness of the analysis and the clarity of the definitions are enough to illumine and restate the old problem , to which the solutions ...
... course , nothing new in this - apart from the contrasting of similarity and contiguity — but the strictness of the analysis and the clarity of the definitions are enough to illumine and restate the old problem , to which the solutions ...
Page 146
... course of the last forty years the number of such psychologists has in- creased . Stout wrote in order to remove or to mitigate their difficulties , but he was wise enough to modify his expectations by the qualification that he was ...
... course of the last forty years the number of such psychologists has in- creased . Stout wrote in order to remove or to mitigate their difficulties , but he was wise enough to modify his expectations by the qualification that he was ...
Contents
PREFACE | 1 |
THE EXISTENTIAL | 15 |
STYLISTIC FORCES IN THE NARRATIVE | 42 |
Copyright | |
10 other sections not shown
Other editions - View all
Common terms and phrases
aesthetic analysis approach Aristotle artistic aspects Baroque century character Chateaubriand classical concept concerned contributions cosmic gesture creative cultural cultural-sociological definition descriptive linguistics discourse effect elements epoch essay example existence existential experience expression fact freedom French function geistesgeschichtliche genre German Goethe historical human I. A. Richards indirect style individual interpretation intonation kind language linguistic literary criticism literature logical lyric poetry Maori meaning metaphor metonymic modern motif clusters narrative narrator nature novel objective Orphic Paris pattern period style perspective phase phenomena philosophical phonetics poet poetic poetry present principle problem prose psychoanalysis psychology question Rangi and Papa relation relationship rhetoric rhythms Romanticism Rutebeuf sense sentence lengths sequence social space spatial speaking speech structure Sturm und Drang stylistic force subjectivization syllables symbolic themes theory things thought tion traditional words writer Zeitgeist