Yearbook of Comparative Criticism, Volume 3Joseph Strelka |
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Page 105
... classical symbolic style , which achieved a balance between the specifically in- dividual and the objectively universal . Goethe's search for the essence of things , his yearning for a view that was whole and pure , for what was true ...
... classical symbolic style , which achieved a balance between the specifically in- dividual and the objectively universal . Goethe's search for the essence of things , his yearning for a view that was whole and pure , for what was true ...
Page 106
... classical concept of art and the classical art of literature were the work of two individuals who made a pact dissociating and isolating them from their intellectual contemporaries . They sought a renewal of the objective literary ...
... classical concept of art and the classical art of literature were the work of two individuals who made a pact dissociating and isolating them from their intellectual contemporaries . They sought a renewal of the objective literary ...
Page 220
... classical restraint " in Racine's style , 14 Leo Spitzer gave a spectacular demonstra- tion of this procedure . He brought together a multiplicity of linguistic elements which all have one feature in common : they all play their part in ...
... classical restraint " in Racine's style , 14 Leo Spitzer gave a spectacular demonstra- tion of this procedure . He brought together a multiplicity of linguistic elements which all have one feature in common : they all play their part in ...
Contents
PREFACE | 1 |
THE EXISTENTIAL | 15 |
STYLISTIC FORCES IN THE NARRATIVE | 42 |
Copyright | |
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