Yearbook of Comparative Criticism, Volume 3Joseph Strelka |
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Page 26
... becomes man or does not become man according to whether or not of ot than worl happ the ensla etrat mast by g the 1 roriz As The itself the of th word if we But unde the s with with serve univ will pries very I man ceive his l he ...
... becomes man or does not become man according to whether or not of ot than worl happ the ensla etrat mast by g the 1 roriz As The itself the of th word if we But unde the s with with serve univ will pries very I man ceive his l he ...
Page 96
... become " engaged , " it must be removed from its isolated position in " aesthetics , " incorporated in its own concrete socio- historical context , and measured by this context . It need hardly be pointed out that interpretation cannot ...
... become " engaged , " it must be removed from its isolated position in " aesthetics , " incorporated in its own concrete socio- historical context , and measured by this context . It need hardly be pointed out that interpretation cannot ...
Page 107
... become the period style , it hardened into a formal classicism . It immured itself in the backward - glancing lan- guage of historicism . Classical style foundered on its own nature , on that which justified the sacrifices it demanded ...
... become the period style , it hardened into a formal classicism . It immured itself in the backward - glancing lan- guage of historicism . Classical style foundered on its own nature , on that which justified the sacrifices it demanded ...
Contents
PREFACE | 1 |
THE EXISTENTIAL | 15 |
STYLISTIC FORCES IN THE NARRATIVE | 42 |
Copyright | |
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aesthetic analysis approach Aristotle artistic aspects Baroque century character Chateaubriand classical concept concerned contributions cosmic gesture creative cultural cultural-sociological definition descriptive linguistics discourse effect elements epoch essay example existence existential experience expression fact freedom French function geistesgeschichtliche genre German Goethe historical human I. A. Richards indirect style individual interpretation intonation kind language linguistic literary criticism literature logical lyric poetry Maori meaning metaphor metonymic modern motif clusters narrative narrator nature novel objective Orphic Paris pattern period style perspective phase phenomena philosophical phonetics poet poetic poetry present principle problem prose psychoanalysis psychology question Rangi and Papa relation relationship rhetoric rhythms Romanticism Rutebeuf sense sentence lengths sequence social space spatial speaking speech structure Sturm und Drang stylistic force subjectivization syllables symbolic themes theory things thought tion traditional words writer Zeitgeist