Characteristics of Women: Moral, Poetical, and Historical |
From inside the book
Results 1-5 of 18
Page
... ISABELLA BEATRICE ROSALIND .. PAGE 1 65 107 130 · 145 CHARACTERS OF PASSION AND IMAGINATION . JULIET 158 HELENA 207 PERDITA 233 VIOLA 245 OPHELIA 255 MIRANDA . 283 * SUBJECTS OF THE ILLUSTRATIONS CONTAINED IN THE FIRST VOLUME .
... ISABELLA BEATRICE ROSALIND .. PAGE 1 65 107 130 · 145 CHARACTERS OF PASSION AND IMAGINATION . JULIET 158 HELENA 207 PERDITA 233 VIOLA 245 OPHELIA 255 MIRANDA . 283 * SUBJECTS OF THE ILLUSTRATIONS CONTAINED IN THE FIRST VOLUME .
Page 162
... Perdita— so playfully fond in Rosalind - so constant in Imogen - so devoted in Desdemona - so fervent in Helen - so tender in Viola - is each and all of these in Juliet . All these remind us of her ; but she reminds us of nothing but ...
... Perdita— so playfully fond in Rosalind - so constant in Imogen - so devoted in Desdemona - so fervent in Helen - so tender in Viola - is each and all of these in Juliet . All these remind us of her ; but she reminds us of nothing but ...
Page 167
... Perdita , nor the fanciful romance of Viola ; it is the romance of a tender heart and a poetical imagination . Her inexperience is not ignorance ; she has heard that there is such a thing as falsehood , though she can scarcely conceive ...
... Perdita , nor the fanciful romance of Viola ; it is the romance of a tender heart and a poetical imagination . Her inexperience is not ignorance ; she has heard that there is such a thing as falsehood , though she can scarcely conceive ...
Page 200
... E detto questo , la sua gran sciagura nell ' animo recatasi , e la perdita del caro amante ricordandosi , deliberando di più non vivere , raccolto Da Porta , in making Juliet waken from her trance 200 PASSION AND IMAGINATION .
... E detto questo , la sua gran sciagura nell ' animo recatasi , e la perdita del caro amante ricordandosi , deliberando di più non vivere , raccolto Da Porta , in making Juliet waken from her trance 200 PASSION AND IMAGINATION .
Page 232
... Brownell Jameson, Mrs. Jameson (Anna). find it easier to love Bertram as Helena does , than to excuse him ; her love for him is his best excuse . PERDITA . IN Viola and Perdita the distinguishing traits are 232 PASSION AND IMAGINATION .
... Brownell Jameson, Mrs. Jameson (Anna). find it easier to love Bertram as Helena does , than to excuse him ; her love for him is his best excuse . PERDITA . IN Viola and Perdita the distinguishing traits are 232 PASSION AND IMAGINATION .
Other editions - View all
Common terms and phrases
affection ALDA Amleth Angelo Bassanio Beatrice beauty Benedick Bertram bosom breath brother Camiola character charm colours confess COUNTESS death delicacy dignity disguise drama Duchesse de Longueville earth eloquence exquisite eyes faculties fair fancy father fear feeling female feminine FERDINAND gentle grace Hamlet hath heart heaven Helena honour horror human imagination impression innocence intellect Isabel Isabella Lady Lady Macbeth less look lord lover Madame de Staël maid marriage MEDON ment mercy mind Miranda moral mother nature ness never noble nurse o'er Olivia once Ophelia passion Perdita perfect picture pity placed play poetical poetry POLONIUS Portia racter romance Romeo and Juliet Rosalind Roussillon scene Schlegel scorn sense sensibility sentiment Shak Shakspeare Shakspeare's Shylock simplicity soft soul speak spirit sweet temper tenderness thee Thekla things thou thought tion touch truth Twelfth Night vanity Viola virtue whole woman women word young youth
Popular passages
Page 237 - I'd have you buy and sell so ; so give alms ; Pray so ; and, for the ordering your affairs, To sing them too. When you do dance, I wish you A wave o' the sea, that you might ever do Nothing but that...
Page 168 - Thou mayst prove false: at lovers' perjuries, They say, Jove laughs. O gentle Romeo ! If thou dost love, pronounce it faithfully: Or if thou think'st I am too quickly won, I'll frown and be perverse and say thee nay, So thou wilt woo; but else, not for the world. In truth, fair Montague, I am too fond; And therefore thou mayst think my 'haviour light: But trust me, gentleman, I'll prove more true Than those that have more cunning to be strange.
Page 93 - The crow doth sing as sweetly as the lark, When neither is attended ; and, I think, The nightingale, if she should sing by day, When every goose is cackling, would be thought No better a musician than the wren.
Page 238 - Even here undone ! I was not much afeard : for once, or twice, I was about to speak ; and tell him plainly, The selfsame sun, that shines upon his court, Hides not his visage from our cottage, but Looks on alike.— Will 't please you, sir, be gone?
Page 113 - It blesseth him that gives, and him that takes : 'Tis mightiest in the mightiest ; it becomes The throned monarch better than his crown. His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings ; But mercy is above this sceptred sway : It is enthroned in the hearts of kings, It is an attribute to God himself, And earthly power doth then show likest God's, When mercy seasons justice.
Page 240 - Give me those flowers there, Dorcas. — Reverend sirs, For you there's rosemary and rue ; these keep Seeming and savour all the Winter long : Grace and remembrance be to you both,7 And welcome to our shearing ! Polix.
Page 12 - Yes, I am proud; I must be proud to see Men not afraid of God afraid of me: Safe from the Bar, the Pulpit, and the Throne, Yet touched and shamed by ridicule alone.
Page 115 - Could great men thunder As Jove himself does, Jove would ne'er be quiet, For every pelting, petty officer, Would use his heaven for thunder ; Nothing but thunder.
Page 114 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Page 168 - I should have been more strange, I must confess, But that thou overheard'st, ere I was ware, My true love's passion: therefore pardon me, And not impute this yielding to light love, Which the dark night hath so discovered.