James Thomson's Defence of Poetry: Intertextual Allusion in The SeasonsThis study presents a contextual and intertextual reading of James Thomson's (1700--1748) poem »The Seasons«, taking into consideration some of the presuppositions and habitus of the text's cultural community and the function of the poem's many intertextual allusions. An intertextual reading reveals »The Seasons«, though heterogeneous on its surface, as coherent in its cultural functionality. An analysis of the poem's intertext uncovers textual strategies that attempt to re-legitimise poetic discourse as a culturally relevant force especially in relation to the newly privileged discourse of natural philosophy. |
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Contents
Natural Philosophy and Poetry | 31 |
Habituation and the Practice of Virtue | 65 |
The Poems Heterocosm | 81 |
Copyright | |
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allusion ancient arts beauty Book called Cambridge claim classical concept concern contemporary context course criticism cultural described discourse discussion earth effect eighteenth century elements emotional English especially Essay example experience exploration expression fact force function further genre Georgics give golden habituation hand happy harmony History idea imagination importance influence instance interest intertextual Italy James Thomson John knowledge language light lines literary literature London lost meaning method Milton mind moral natural philosophy observation Oxford Paradise particular passage passions pastoral poem poet poetic poetry polite position powers practice praise pre-text present question reader reading reference relation relevant remarks response Rhetoric romance Sambrook scientific Seasons sense social society Spring story strategies Studies suggests term theme Theory things Thomson thought tion tradition truth turn University Press Virgil virtue virtuous whole writing