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CONCERNING LORD BYRON.

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HAVING, in the Preface to my Vision of Judgement,' explained the principle upon which the metre of that poem is constructed, I took the opportunity of introducing the following remarks :—

"I am well aware that the public are peculiarly intolerant of such innovations; not less so than the populace are of any foreign fashion, whether of foppery or convenience. Would that this literary intolerance were under the influence of a saner judgement, and regarded the morals more than the manner of a composition; the spirit rather than the form! Would that it were directed against those monstrous combinations of horrors and mockery, lewdness and impiety, with which English poetry has, in our days, first been polluted! For more than half a century English literature had been distinguished by its moral purity, the effect, and, in its turn, the cause of an improvement in national manners. A father might, without apprehension of evil, have put into the hands of his children any book which issued from the press, if it did not bear, either in its title-page or frontispiece, manifest signs that it was intended as furniture for the brothel,

There was no danger in any work which bore the name of a respectable publisher, or was to be procured at any respectable bookseller's. This was particularly the case with regard to our poetry. It is now no longer so; and woe to those by whom the offence cometh ! The greater the talents of the offender, the greater is his guilt, and the more enduring will be his shame. Whether it be that the laws are in themselves unable to abate an evil of this magnitude, or whether it be that they are remissly administered, and with such injustice that the celebrity of an offender serves as a privilege whereby he obtains impunity, individuals are bound to consider that such pernicious works would neither be published nor written, if they were discouraged as they might, and ought to be, by public feeling; every person, therefore, who purchases such books, or admits them into his house, promotes the mischief, and thereby, as far as in him lies, becomes an aider and abettor of the crime.

"The publication of a lascivious book is one of the worst offences which can be committed against the well-being of society. It is a sin, to the consequences of which no limits can be assigned, and those consequences no after repentance in the writer can counteract. Whatever remorse of conscience he may feel when his hour comes (and come it must!) will be of no avail. The poignancy of a death-bed repentance cannot cancel one copy of the thousands which are sent abroad; and as long as it continues to be read, so long is he the pander of posterity, and so long is he heaping up guilt upon his soul in perpetual accumulation.

"These remarks are not more severe than the offence deserves, even when applied to those immoral writers who have not been conscious of any evil intention in their writings, who would acknowledge a little levity, a little warmth of colouring, and so forth, in that sort of language with which men gloss over their favourite vices, and deceive themselves. What then should be said of those for whom the thoughtlessness and inebriety of wanton youth can no longer be pleaded, but who have written in sober manhood and with deliberate purpose?.. Men of diseased * hearts and depraved imaginations, who, forming a system of opinions to suit their own unhappy course of conduct, have rebelled against the holiest ordinances of human society, and hating that revealed religion which, with all their efforts and bravadoes, they are unable

Summi poetæ in omni poetarum sæculo viri fuerunt probi : in nostris id vidimus et videmus; neque alius est error a veritate longius quàm magna ingenia magnis necessario corrumpi vitiis. Secundo plerique posthabent primum, hi malignitate, illi ignorantiâ; et quam aliquem inveniunt styli morumque vitiis notatum, nec inficetum tamen nec in libris edendis parcum, eum stipant, prædicant, occupant, amplectuntur. Si mores aliquantulum vellet corrigere, si stylum curare paululum, si fervido ingenio temperare, si moræ tantillum interponere, tum ingens nescio quid et verè epicum, quadraginta annos natus, procuderat. Ignorant verò febriculis non indicari vires, impatientiam ab imbecillitate non differre; ignorant a levi homine et inconstante multa fortasse scribi posse plusquam mediocria, nihil compositum, urduum, æternum. Savagius Landor, De Cultu atque Usu Latini Sermonis. This essay, which is full of fine critical remarks and striking thoughts felicitously expressed, reached me from Pisa, while the proof of the present sheet was before me. Of its author, (the author of Gebir and Count Julian) I will only say in this place, that, to have obtained his approbation as a poet, and possessed his friendship as a man, will be remembered among the honours of my life, when the petty enmities of this generation will be forgotten, and its ephemeral reputations shall have past away.

entirely to disbelieve, labour to make others as miserable as themselves, by infecting them with a moral virus that eats into the soul! The school which they have set up may properly be called the Satanic school; for though their productions breathe the spirit of Belial in their lascivious parts, and the spirit of Moloch in those loathsome images of atrocities and horrors which they delight to represent, they are more especially characterised by a Satanic spirit of pride and audacious impiety, which still betrays the wretched feeling of hopelessness wherewith it is allied.

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"This evil is political as well as moral, for indeed moral and political evils are inseparably connected. Truly has it been affirmed by one of our ablest and clearest reasoners *that the destruction of go'vernments may be proved and deduced from the general corruption of the subjects' manners, as a ' direct and natural cause thereof, by a demonstra'tion as certain as any in the mathematics.' There is no maxim more frequently enforced by Machiavelli, than that where the manners of a people are generally corrupted, there the government cannot long subsist,..a truth which all history exemplifies; and there is no means whereby that corruption can be so surely and rapidly diffused, as by poisoning the waters of literature.

66 "Let rulers of the state look to this, in time! But, to use the words of South, if our physicians "think the best way of curing a disease is to pamper it,..the Lord in mercy prepare the king'dom to suffer, what He by miracle only can pre• vent!'

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* South.

"No apology is offered for these remarks. The subject led to them; and the occasion of introducing them was willingly taken, because it is the duty of every one, whose opinion may have any influence, to expose the drift and aim of those writers who are labouring to subvert the foundations of human virtue, and of human happiness."

Lord Byron, in his next publication, was pleased to comment upon this passage, in the ensuing words:

'Mr. Southey, too, in his pious preface to a poem ' whose blasphemy is as harmless as the sedition of 'Wat Tyler, because it is equally absurd with that

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sincere production, calls upon the "legislature to 'look to it," as the toleration of such writings led to "the French Revolution: not such writings as Wat Tyler, but as those of the "Satanic School." This ' is not true, and Mr. Southey knows it to be not true. Every French writer of any freedom was persecuted; Voltaire and Rousseau were exiles, Marmontel and Diderot were sent to the Bastile, and a perpetual war was waged with the whole ' class by the existing despotism. In the next place the French Revolution was not occasioned by any 6 writings whatsoever, but must have occurred had C no such writers ever existed. It is the fashion to ' attribute every thing to the French revolution, and the French revolution to every thing but its real That cause is obvious.. the government ' exacted too much, and the people could neither give nor bear more. Without this, the Encyclopedists might have written their fingers off without the occurrence of a single alteration. And the

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cause.

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