A Rhetorical Grammar: In which the Common Improprieties in Reading and Speaking are Detected .. |
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Page xi
... Verse Of the Accent and Emphasis of Verse ... Page 136 139 141 146 151 154 155 When the Poetical Accent is to be preserved , and when not .... How e and o , when apostrophised , are to be pronounced 160 Of the pause or Cæsura of Verse ...
... Verse Of the Accent and Emphasis of Verse ... Page 136 139 141 146 151 154 155 When the Poetical Accent is to be preserved , and when not .... How e and o , when apostrophised , are to be pronounced 160 Of the pause or Cæsura of Verse ...
Page 73
... perfectly monotonous . In former times we might have found it in the mid- night pronunciation of the bell - man's verses at Christmas ; and now , the town - cryer RHETORICAL GRAMMAR . 73 Explanation of the Inflexions of the Voice.
... perfectly monotonous . In former times we might have found it in the mid- night pronunciation of the bell - man's verses at Christmas ; and now , the town - cryer RHETORICAL GRAMMAR . 73 Explanation of the Inflexions of the Voice.
Page 74
... verse ; thus ( ) . The grand description of the riches of Satan's throne , in the beginning of Milton's second book of the Paradise Lost , affords us an oppor- tunity of exemplifying the use of this tone : High on a throne of royal ...
... verse ; thus ( ) . The grand description of the riches of Satan's throne , in the beginning of Milton's second book of the Paradise Lost , affords us an oppor- tunity of exemplifying the use of this tone : High on a throne of royal ...
Page 82
... verse . Many of Milton's similes , commencing with the conjunction as , have the first member so enormously long , that the reader is often tempted to drop his voice before be comes to the member beginning with the con- junction so ...
... verse . Many of Milton's similes , commencing with the conjunction as , have the first member so enormously long , that the reader is often tempted to drop his voice before be comes to the member beginning with the con- junction so ...
Page 150
... verse intelligibly on different modes of pronun- ciation we could tell the reader plainly and simply , that such words require one species of force and inflexion , and such words another , without having recourse to such vague and in ...
... verse intelligibly on different modes of pronun- ciation we could tell the reader plainly and simply , that such words require one species of force and inflexion , and such words another , without having recourse to such vague and in ...
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Other editions - View all
A Rhetorical Grammar: In Which Improprieties in Reading and Speaking Are ... John Walker No preview available - 2018 |
A Rhetorical Grammar: In Which the Common Improprieties in Reading and ... John Walker No preview available - 2018 |
A Rhetorical Grammar: In Which Improprieties in Reading and Speaking Are ... John Walker No preview available - 2015 |
Common terms and phrases
accent agreeable arguments arise Asyndeton attention beauty beginning blank verse Cæsar Cæsura called character Cicero circumflex Clodius common composition consider Demosthenes depends discourse distinct distinguished Elements of Elocution emphasis emphatic words endeavour example express falling inflexion figure flexion following sentence force former give higher tone honour Ibid idea inflexion of voice instance interrogative interrogative words Julius Cæsar kind language latter likewise long pause lower tone manner mark Mark Antony meaning Milo mind monotone nature necessary neral nounced nunciation object observed orator ornament particular passage passion perly person phatical Polysyndeton Pompey principal pronounced pronunciation proper propriety prose punctuation question Quintilian quires reader reading reason requires Rhetoric rhyme rising inflexion Roman rule says slide sound speaker speaking Spect Spectator style syllable tence thing thou tion tone of voice unaccented variety verb verse virtue vowels whole writing
Popular passages
Page 217 - And, when the sun begins to fling His flaring beams, me, Goddess, bring To arched walks of twilight groves, And shadows brown, that Sylvan loves, Of pine, or monumental oak, Where the rude axe with heaved stroke Was never heard the Nymphs to daunt, Or fright them from their hallowed haunt.
Page 31 - O thou that, with surpassing glory crowned, Look'st from thy sole dominion like the god Of this new World — at whose sight all the stars Hide their diminished heads — to thee I call, But with no friendly voice, and add thy name, 0 Sun, to tell thee how I hate thy beams...
Page 135 - One morn I missed him on the customed hill, Along the heath and near his fav'rite tree; Another came; nor yet beside the rill, Nor up the lawn, nor at the wood was he; 'The next with dirges due in sad array Slow through the church-way path we saw him borne. Approach and read (for thou canst read) the lay Graved on the stone beneath yon aged thorn:' THE EPITAPH Here rests his head upon the lap of Earth A Youth to Fortune and to Fame unknown.
Page 154 - Of all the causes which conspire to blind Man's erring judgment, and misguide the mind, What the weak head with strongest bias rules, Is pride, the never-failing vice of fools.
Page 168 - When the proud steed shall know why man restrains His fiery course, or drives him o'er the plains ; When the dull ox, why now he breaks the clod, Is now a victim, and now Egypt's god : Then shall man's pride and dulness comprehend His actions', passions', being's use and end ; Why doing, suffering, check'd, impell'd; and why This hour a slave, the next a deity.
Page 168 - Vice is a monster of so frightful mien, As, to be hated, needs but to be seen; Yet seen too oft, familiar with her face, We first endure, then pity, then embrace.
Page 236 - Annual for me, the grape, the rose renew The juice nectareous, and the balmy dew; For me, the mine a thousand treasures brings; For me, health gushes from a thousand springs; Seas roll to waft me, suns to light me rise; My foot-stool earth, my canopy the skies.
Page 133 - Tis hard to say, if greater want of skill Appear in writing or in judging ill ; But, of the two, less dangerous is the offence To tire our patience, than mislead our sense. Some few in that, but numbers err in this ; Ten censure wrong for one who writes amiss : A fool might once himself alone expose : Now one in verse makes many more in prose.
Page 166 - Were we to press, inferior might on ours: Or in the full creation leave a void, Where, one step broken, the great scale's destroy'd: From Nature's chain whatever link you strike, Tenth or ten thousandth, breaks the chain alike. And, if each system in gradation roll Alike essential to th' amazing Whole, The least confusion but in one, not all That system only, but the Whole must fall.
Page 170 - Full many a gem of purest ray serene The dark unfathom'd caves of ocean bear : Full many a flower is born to blush unseen, And waste its sweetness on the desert air. Some village- Hampden, that, with dauntless breast, The little tyrant of his fields withstood, Some mute inglorious Milton here may rest, Some Cromwell guiltless of his country's blood. Th...