The dramatic works.Whittingham, 1830 |
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Page 9
... Exeunt SALAR . and SALAN . Lor . My lord Bassanio , since you have found Antonio , We two will leave you : but , at dinner - time , I pray you , have in mind where we must meet . Bass . I will not fail you . Gra . You look not well ...
... Exeunt SALAR . and SALAN . Lor . My lord Bassanio , since you have found Antonio , We two will leave you : but , at dinner - time , I pray you , have in mind where we must meet . Bass . I will not fail you . Gra . You look not well ...
Page 10
... Exeunt GRA . and LOR . . Ant . Is that any thing now ? g Bass . Gratiano speaks an infinite deal of nothing , more than any man in all Venice : His reasons are as two grains of wheat hid in two bushels of chaff ; you shall seek all day ...
... Exeunt GRA . and LOR . . Ant . Is that any thing now ? g Bass . Gratiano speaks an infinite deal of nothing , more than any man in all Venice : His reasons are as two grains of wheat hid in two bushels of chaff ; you shall seek all day ...
Page 12
... Exeunt . SCENE II . Belmont . A Room in Portia's House . Enter PORTIA and NERISSA . Por . By my troth , Nerissa , my little body is aweary of this great world . Prest , that is , ready ; from the old French word of the same orthography ...
... Exeunt . SCENE II . Belmont . A Room in Portia's House . Enter PORTIA and NERISSA . Por . By my troth , Nerissa , my little body is aweary of this great world . Prest , that is , ready ; from the old French word of the same orthography ...
Page 16
... we shut the gate upon one wooer , another knocks at the door . [ Exeunt . i . e . the nature , disposition . So in Othello : " and then of so gentle a condition ! " SCENE III . Venice . A public Place . Enter. 16 ACT I. MERCHANT OF.
... we shut the gate upon one wooer , another knocks at the door . [ Exeunt . i . e . the nature , disposition . So in Othello : " and then of so gentle a condition ! " SCENE III . Venice . A public Place . Enter. 16 ACT I. MERCHANT OF.
Page 23
... Exeunt . ACT II . SCENE I. Belmont . A Room in Portia's House . Flourish of Cornets . Enter the Prince of Morocco , and his Train ; PORTIA , NERISSA , and other of her Attendants . Mor . Mislike me not for my complexion , The shadow'd ...
... Exeunt . ACT II . SCENE I. Belmont . A Room in Portia's House . Flourish of Cornets . Enter the Prince of Morocco , and his Train ; PORTIA , NERISSA , and other of her Attendants . Mor . Mislike me not for my complexion , The shadow'd ...
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Dramatic Works: From the Text of Johnson, Stevens and Reed; with ..., Volume 3 William Shakespeare No preview available - 1864 |
Common terms and phrases
aglets Antonio Baptista Bass Bassanio Ben Jonson BERTRAM better Bian Bianca Bion BIONDELLO Cotgrave Count daughter doth ducats Duke Enter Exeunt Exit eyes fair father fool fortune gentle gentleman give Gratiano Gremio hath hear heart heaven honour Hortensio Jessica Kate Kath KATHARINA King knave lady LAFEU Laun Launcelot look lord Love's Labour's Lost Lucentio madam maid Malone marry master means Merchant of Venice merry mistress Nerissa never old copy reads Orlando Padua Parolles Petruchio Phebe play Portia pray ring Rosalind Rousillon Salan SCENE Servant Shakspeare Shakspeare's Shylock Signior sirrah speak Steevens swear sweet tell thank thee There's thine thing thou art Touch Tranio Troilus and Cressida unto Venice Vincentio wife withal word young