Douglas Jerrold's Shilling Magazine, Volume 4
Douglas William Jerrold
Punch Office, 1846 - English periodicals
Contains Douglas Jerrold's novel St. Giles and St. James (selected issues, no. 1-29), illustrated by Leech.
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asked barons beauty Belgravia better bless Boccacio bread called Capstick character Clarissa cottage court creature cried crime Crinkum dear Dodypol door England English evil exclaimed eyes face fear feel fellow Fiery Furnace garden genius gibbet Giles girl give GOODWYN BARMBY hand happy Harwich hear heart honour horse human Joe Ling justice king labour Lady land light live London look Lord Malta matter means Mignonette mind Miss Kitty moral nature neighbours never night once parliament passed Pecker Peter des Roches poet poor present RICHARD DAVIS round Sampson Hooks seemed servants smile Snipeton sort soul Soundcap spirit strange sure Tallboys tell things thought Thugg Tinglebury tion true truth turned village whole wife woman wonder word young Young Englander
Page 33 - Go to now, ye rich men, weep and howl for your miseries that shall come upon you. Your riches are corrupted, and your garments are motheaten. Your gold and silver is cankered ; and the rust of them shall be a witness against you, and shall eat your flesh as it were fire. Ye have heaped treasure together for the Last Days.
Page 196 - Yet count our gains. This wealth is but a name That leaves our useful products still the same. Not so the loss. The man of wealth and pride Takes up a space that many poor supplied ; Space for his lake, his park's extended bounds, Space for his horses, equipage and hounds...
Page 375 - Such notes as, warbled to the string, Drew iron tears down Pluto's cheek, And made Hell grant what love did seek ; Or call up him that left half -told The story of Cambuscan bold, Of Camball, and of Algarsife, And who had Canace to wife, That owned the virtuous ring and glass, And of the wondrous Horse of Brass, On which the Tartar king did ride...
Page 196 - The man of wealth and pride Takes up a space that many poor supplied; Space for his lake, his park's extended bounds, Space for his horses, equipage, and hounds: The robe that wraps his limbs in silken sloth Has robbed the neighbouring fields of half their growth; His seat, where solitary sports are seen, Indignant spurns the cottage from the green...
Page 45 - ... out the most wretched of lives, a life without hope in the most miserable of prisons. It is painful to behold a man employing his talents to corrupt himself. Nature has been kinder to Mr. Burke than he is to her. He is not affected by the reality of distress touching his heart, but by the showy resemblance of it striking his imagination. He pities the plumage, but forgets the dying bird.
Page 467 - Wit and Humour. Selected from the English Poets. With an Illustrative Essay and Critical Comments.
Page 182 - By this means our liberty becomes a noble freedom. It carries an imposing and majestic aspect. It has a pedigree and illustrating ancestors. It has its bearings and its ensigns armorial. It has its gallery of portraits; its monumental inscriptions; its records, evidences, and titles.
Page 470 - Wit is the clash and reconcilement of incongruities ; the meeting of extremes round a corner; the flashing of an artificial light from one object to another, disclosing some unexpected resemblance or connection. It is the detection of likeness in unlikeness, of sympathy in antipathy, or of the extreme points of antipathies themselves, made friends by the very merriment of their introduction.
Page 184 - The Debater ; a Series of Complete Debates, Outlines of Debates, and Questions for Discussion. *By F. ROWTON. Fcp.
Page 470 - Wit may be defined to be the Arbitrary Juxtaposition of Dissimilar Ideas, for some lively purpose of Assimilation or Contrast, generally of both. It is fancy in its most wilful, and strictly speaking, its least poetical state ; that is to say, Wit does not contemplate its ideas for their own sakes in any light apart from their ordinary prosaical one, but solely for the purpose of producing an effect by their combination. Poetry may take...