Rehearsal: The Principles and Practice of Acting for the Stage |
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Page 7
... student should be already equipped is a desire for improvement . Woe to the student who has played leads and received flattering comment concerning his work . If he is genuine enough , of high enough caliber , overpraise will not make ...
... student should be already equipped is a desire for improvement . Woe to the student who has played leads and received flattering comment concerning his work . If he is genuine enough , of high enough caliber , overpraise will not make ...
Page 9
... student should consider : the mechanical , that which becomes habitual ; the mental , that which decides ; and the emo- tional , that which concerns the feelings . These are pres- ent in all acting . No one can be omitted from acting ...
... student should consider : the mechanical , that which becomes habitual ; the mental , that which decides ; and the emo- tional , that which concerns the feelings . These are pres- ent in all acting . No one can be omitted from acting ...
Page 14
... student taking up the study of acting will find it advantageous to start at the beginning , just as the ap- prentice of any other business does . The one who plans to be a typist does not begin by simply practicing the " hunt - and ...
... student taking up the study of acting will find it advantageous to start at the beginning , just as the ap- prentice of any other business does . The one who plans to be a typist does not begin by simply practicing the " hunt - and ...
Contents
INTRODUCTORY | 3 |
ELEMENTARY PRINCIPLES | 10 |
STAGE MOVEMENT | 35 |
Copyright | |
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Rehearsal: The Principles and Practice of Acting for the Stage Miriam Anna Franklin No preview available - 2012 |
Common terms and phrases
acting actor ain't arms audience Baxter Bolton Cagle Calchas chair character Cheveley Clytaemnestra comedy comes Cyrano Cyrano de Bergerac Daughter dear door emotion enters Eugene O'Neill EXERCISE expression eyes face Fanny father feel gesture girl give goes Grandfather hand hear Hedda Helen Helmer Henrik Ibsen Hialmar Iago Ideal Husband inflection Juliet laugh Laura Lehman Liliom listen look Lord Goring Lucille Madame Butterfly married mean Minnie Miss Roberts mother move movement muscles Muskat never night Nora Oscar Wilde Othello Pasadena Community Playhouse pause Perkins Peter play player Pollant rehearsal Reprinted by special Romeo and Juliet Rosalind Roxane scene Sganarelle shakes Shrdlu sits smile speak special permission speech stage stand student talk tell theater thee thing thou thought turns Uncle voice William Shakespeare Windermere woman women words