Rehearsal: The Principles and Practice of Acting for the Stage |
From inside the book
Results 1-3 of 52
Page 14
... move down- stage , he must move toward his audience . The stages of early times were built on a slant , and , consequently , the actor actually walked down when he moved forward , and he walked up when he moved away . Right ( R ...
... move down- stage , he must move toward his audience . The stages of early times were built on a slant , and , consequently , the actor actually walked down when he moved forward , and he walked up when he moved away . Right ( R ...
Page 15
... move away from any given space that an actor may occupy , usually to make room for another character . This may mean to move only a very little , just a short step ; or the director may wish the actor to move several steps . The term ...
... move away from any given space that an actor may occupy , usually to make room for another character . This may mean to move only a very little , just a short step ; or the director may wish the actor to move several steps . The term ...
Page 38
... move out of harmony will strike a discordant note . For example , if one were sharing in the excitement over some good news , he would not cross his knees or fold his arms . Both of these attitudes signify ease and relaxation . In ...
... move out of harmony will strike a discordant note . For example , if one were sharing in the excitement over some good news , he would not cross his knees or fold his arms . Both of these attitudes signify ease and relaxation . In ...
Contents
INTRODUCTORY | 3 |
ELEMENTARY PRINCIPLES | 10 |
STAGE MOVEMENT | 35 |
Copyright | |
22 other sections not shown
Other editions - View all
Rehearsal: The Principles and Practice of Acting for the Stage Miriam Anna Franklin No preview available - 2012 |
Common terms and phrases
acting actor ain't arms audience Baxter Bolton Cagle Calchas chair character Cheveley Clytaemnestra comedy comes Cyrano Cyrano de Bergerac Daughter dear door emotion enters Eugene O'Neill EXERCISE expression eyes face Fanny father feel gesture girl give goes Grandfather hand hear Hedda Helen Helmer Henrik Ibsen Hialmar Iago Ideal Husband inflection Juliet laugh Laura Lehman Liliom listen look Lord Goring Lucille Madame Butterfly married mean Minnie Miss Roberts mother move movement muscles Muskat never night Nora Oscar Wilde Othello Pasadena Community Playhouse pause Perkins Peter play player Pollant rehearsal Reprinted by special Romeo and Juliet Rosalind Roxane scene Sganarelle shakes Shrdlu sits smile speak special permission speech stage stand student talk tell theater thee thing thou thought turns Uncle voice William Shakespeare Windermere woman women words