Rehearsal: The Principles and Practice of Acting for the Stage |
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Page 13
... give him even more prominence than his legitimate allowance . Very often that is the reason why " all - star casts " give poor performances . The highest type of acting gives each performer an opportunity to play his part in a man- ner ...
... give him even more prominence than his legitimate allowance . Very often that is the reason why " all - star casts " give poor performances . The highest type of acting gives each performer an opportunity to play his part in a man- ner ...
Page 40
... give stage to him as he needs it . For example , let us suppose that Tracy , a character of some importance is entering a space that is already occu- pied by a number of others . Because of his importance , Tracy will need to take stage ...
... give stage to him as he needs it . For example , let us suppose that Tracy , a character of some importance is entering a space that is already occu- pied by a number of others . Because of his importance , Tracy will need to take stage ...
Page 353
... Give me Robert Chiltern's letter . Mrs. Cheveley . I have not got it with me . I will give it to you tomorrow . Lord Goring . You know you are lying . Give it to me at once . [ Mrs. Cheveley pulls the letter out , and hands it to him ...
... Give me Robert Chiltern's letter . Mrs. Cheveley . I have not got it with me . I will give it to you tomorrow . Lord Goring . You know you are lying . Give it to me at once . [ Mrs. Cheveley pulls the letter out , and hands it to him ...
Contents
INTRODUCTORY | 3 |
ELEMENTARY PRINCIPLES | 10 |
STAGE MOVEMENT | 35 |
Copyright | |
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Rehearsal: The Principles and Practice of Acting for the Stage Miriam Anna Franklin No preview available - 2012 |
Common terms and phrases
acting actor ain't arms audience Baxter Bolton Cagle Calchas chair character Cheveley Clytaemnestra comedy comes Cyrano Cyrano de Bergerac Daughter dear door emotion enters Eugene O'Neill EXERCISE expression eyes face Fanny father feel gesture girl give goes Grandfather hand hear Hedda Helen Helmer Henrik Ibsen Hialmar Iago Ideal Husband inflection Juliet laugh Laura Lehman Liliom listen look Lord Goring Lucille Madame Butterfly married mean Minnie Miss Roberts mother move movement muscles Muskat never night Nora Oscar Wilde Othello Pasadena Community Playhouse pause Perkins Peter play player Pollant rehearsal Reprinted by special Romeo and Juliet Rosalind Roxane scene Sganarelle shakes Shrdlu sits smile speak special permission speech stage stand student talk tell theater thee thing thou thought turns Uncle voice William Shakespeare Windermere woman women words