Rehearsal: The Principles and Practice of Acting for the Stage |
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Page 107
... feel anxious ? Uncle . Why should we feel anxious ? What's the good of harping on that ? There is nothing more to fear . Grandfather . Your sister is older than you ? Uncle . She is the eldest of us all . Grandfather . I do not know ...
... feel anxious ? Uncle . Why should we feel anxious ? What's the good of harping on that ? There is nothing more to fear . Grandfather . Your sister is older than you ? Uncle . She is the eldest of us all . Grandfather . I do not know ...
Page 208
... feel like a duchess . I feel that I should be sitting in one of the great chairs , with a ramrod - down - back posture . Bill . I feel like I need some state - road markers to find my way about these rooms . Does a man dress up for tea ...
... feel like a duchess . I feel that I should be sitting in one of the great chairs , with a ramrod - down - back posture . Bill . I feel like I need some state - road markers to find my way about these rooms . Does a man dress up for tea ...
Page 263
... feel- ing . This can be more easily accomplished by the player's getting set for the part and into the mood of it before he comes on stage . He should take several steps , before he walks on stage , and think the character , getting the ...
... feel- ing . This can be more easily accomplished by the player's getting set for the part and into the mood of it before he comes on stage . He should take several steps , before he walks on stage , and think the character , getting the ...
Contents
INTRODUCTORY | 3 |
ELEMENTARY PRINCIPLES | 10 |
STAGE MOVEMENT | 35 |
Copyright | |
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Rehearsal: The Principles and Practice of Acting for the Stage Miriam Anna Franklin No preview available - 2012 |
Common terms and phrases
acting actor ain't arms audience Baxter Bolton Cagle Calchas chair character Cheveley Clytaemnestra comedy comes Cyrano Cyrano de Bergerac Daughter dear door emotion enters Eugene O'Neill EXERCISE expression eyes face Fanny father feel gesture girl give goes Grandfather hand hear Hedda Helen Helmer Henrik Ibsen Hialmar Iago Ideal Husband inflection Juliet laugh Laura Lehman Liliom listen look Lord Goring Lucille Madame Butterfly married mean Minnie Miss Roberts mother move movement muscles Muskat never night Nora Oscar Wilde Othello Pasadena Community Playhouse pause Perkins Peter play player Pollant rehearsal Reprinted by special Romeo and Juliet Rosalind Roxane scene Sganarelle shakes Shrdlu sits smile speak special permission speech stage stand student talk tell theater thee thing thou thought turns Uncle voice William Shakespeare Windermere woman women words