Rehearsal: The Principles and Practice of Acting for the Stage |
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Page 50
... close the door with his left hand . If he enters from the right , he will open with the left hand and close with the right . If the door swings inward the same technique is used . A character enters with the upstage foot advanced , just ...
... close the door with his left hand . If he enters from the right , he will open with the left hand and close with the right . If the door swings inward the same technique is used . A character enters with the upstage foot advanced , just ...
Page 283
... close the door , using three steps in the turn . He pushes his hat back on his head and goes to the table where he picks up the newspaper and holds it close to his eyes to see the date . How- ever , he cannot read it . He lays it ...
... close the door , using three steps in the turn . He pushes his hat back on his head and goes to the table where he picks up the newspaper and holds it close to his eyes to see the date . How- ever , he cannot read it . He lays it ...
Page 322
... close with his upstage arm . His downstage hand may be held in any one of many differ- ent positions worked out by the director for the pictorial effect and convincingness . The couple must stand close together . Their feet should be ...
... close with his upstage arm . His downstage hand may be held in any one of many differ- ent positions worked out by the director for the pictorial effect and convincingness . The couple must stand close together . Their feet should be ...
Contents
INTRODUCTORY | 3 |
ELEMENTARY PRINCIPLES | 10 |
STAGE MOVEMENT | 35 |
Copyright | |
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Rehearsal: The Principles and Practice of Acting for the Stage Miriam Anna Franklin No preview available - 2012 |
Common terms and phrases
acting actor ain't arms audience Baxter Bolton Cagle Calchas chair character Cheveley Clytaemnestra comedy comes Cyrano Cyrano de Bergerac Daughter dear door emotion enters Eugene O'Neill EXERCISE expression eyes face Fanny father feel gesture girl give goes Grandfather hand hear Hedda Helen Helmer Henrik Ibsen Hialmar Iago Ideal Husband inflection Juliet laugh Laura Lehman Liliom listen look Lord Goring Lucille Madame Butterfly married mean Minnie Miss Roberts mother move movement muscles Muskat never night Nora Oscar Wilde Othello Pasadena Community Playhouse pause Perkins Peter play player Pollant rehearsal Reprinted by special Romeo and Juliet Rosalind Roxane scene Sganarelle shakes Shrdlu sits smile speak special permission speech stage stand student talk tell theater thee thing thou thought turns Uncle voice William Shakespeare Windermere woman women words