Agonistics: Arenas of Creative Contest

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Janet Lungstrum, Elizabeth Sauer
SUNY Press, Sep 11, 1997 - Philosophy - 359 pages
This book examines the ambiguities inherent in the concept of the agon as a motivating, conflictual force behind creative and social expression. The notion of agonistics extends far beyond the literary fame lent it by Harold Bloom to embrace all aspects of culture. The editors blend theoretical sophistication with an interdisciplinary approach and reposit the agon in a new, broad context for postmodern inquiry. Taking their inspiration from Friedrich Nietzsche's essay "Homer's Contest," Lungstrum and Sauer trace the evolution of the agon: from its vital function in ancient Greece, through modernity, and onward.

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Contents

An Introduction Janet Lungstrum and Elizabeth Sauer
1
Contests in Cultural Philosophy
33
Friedrich Nietzsche Translated by Jordan Dieterich and Janet Lungstrum
35
Nietzsche the Greeks Eternal Recurrence Benjamin C Sax
46
Hegel Derrick and the Closure of Philosophy HI Arkady Plotnitsky
70
The Prophets War against Prophecy Marcus Paul Bullock
92
Psychoanalytic and Racial Conflicts
109
Agonistics in Psychoanalysis Volney P Gay
111
On the Agon and the Creative Impulse John A McCarthy
199
Miltons Discourses of the Divided Self Elizabeth Sauer
226
Preordained Rivalry in Joyces Finnegans Wake Andrew Schmitz
240
Henry Jamess Backward Glance at the Agon of Composition Cecile MazzuccoThan
256
Agons of Gender and the Body
273
Lisabeth During
275
John Hoberman
293
Cynthia Willett
305

Lorna Martens
129
Freud and the Jewishness of the Creative HH Sander L Gilman
152
The Question of Race in Detection Nancy A Harrowitz
177
Agonal Aesthetics and Narrative Theory
197
Arendt and Le Guin on World Creation George A Trey
325
Notes on Contributors
347
Index
351
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About the author (1997)

Janet Lungstrum is Assistant Professor of German Literature at the University of Colorado at Boulder.

Elizabeth Sauer is Associate Professor of English Literature at Brock University. She is the author of Barbarous Dissonance and Images of Voice in Milton's Epics.

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