3. Comment on the general character of the last movement of Beethoven's Op. 13. 4. Quote, Phrase, and add Minute Marks of Expression to all themes of Beethoven's Sonata, Op. 13. FUNDAMENTAL LAWS OF EXPRESSION AND INTERPRETATION OF SPECIFIED WORKS. SECOND YEAR. Mr. W. A. Laver. 1. Phrase and add minute marks of expression to the following: 3. Quote all themes and figures of the First Movement, and add all nuances. 4. Write a brief account on the interpretation required for the works of Bach, Mozart, and Beethoven. FUNDAMENTAL LAWS OF EXPRESSION AND INTERPRETATION OF SPECIFIED WORKS. THIRD YEAR. Mr. W. A. Laver. 1. Compare briefly Bach's, Mozart's, Beethoven's, Schumann's, and Wagner's styles of composition. 2. Quote and phrase all themes of Beethoven's Ninth Symphony, and add minute marks of expression. 3. Give the general spirit in which the following works should be played: Bach's Chromatic Fantasia and Fugue in D minor. Bach's Preludes and Fugues, No. XXII., Book I. Bach's Preludes and Fugues, No. XV., Book I. |