4. Add Second Soprano, Alto, Tenor, and two Bass parts below, making free use of passing notes and suspensions N.B.-The 5, 6, 7, 8 bars of the above Melody to be treated differently to the first four bars. 5. Add three freely moving parts below N.B.-Candidates are requested to answer Nos. 2, 4, and 5 fully, and the other numbers only if time allows. HARMONY, COUNTERPOINT, CANON, AND THIRD YEAR. Mr. W. A. Laver. 1. Write out a few of Wagner's harmonic inventions, and explain them. 2. Write examples (original) of Diatonic, Chromatic, and Enharmonic Modulations from C# Minor to Gb Major. B Major to Eb Minor. 3. Compose a short original Canon (a) In the Octave; (b) In the Fifth; With two Free parts. 4. Write a fully developed Fugue in four parts on an original subject, or on one of the following, using freely double counterpoint in the octave:— COUNTERPOINT. FIRST YEAR (DIPLOMA AND DEGREE). Mr. W. A. Laver. TWO-PART COUNTERPOINT. 1. Write a Counterpoint (a) two notes below, and (b) four notes above the following Cantus Firmus: 2. Write (a) a Florid part above, and (b) a Florid part below; transpose the Cantus Firmus into the Soprano C Clef in doing (b) exercise: -e THREE-PART COUNTERPOINT. 3. Write two notes above and four notes below the following Cantus Firmus :— |