English Essays from Sir Philip Sidney to Macaulay: With Introductions, Notes and IllustrationsCharles William Eliot "A collection of essays written by English authors" --provided by cataloger. |
From inside the book
Results 1-5 of 100
Page 5
... character and his abilities . During the years between 1578 and 1585 he was chiefly at court and in Parliament , and to this period belong most of his writings . In 1585 he left England to assume the office of Governor of Flushing , and ...
... character and his abilities . During the years between 1578 and 1585 he was chiefly at court and in Parliament , and to this period belong most of his writings . In 1585 he left England to assume the office of Governor of Flushing , and ...
Page 58
... character on men and books . The volume has little or no structure or arrangement , but is impressed everywhere with the stamp of his vigorous personality . The following passages on Bacon and Shakespeare are notable as a personal ...
... character on men and books . The volume has little or no structure or arrangement , but is impressed everywhere with the stamp of his vigorous personality . The following passages on Bacon and Shakespeare are notable as a personal ...
Page 83
... character of the person departed in Greek or Hebrew , and by that means are not understood once in a twelvemonth . In the poetical quar- ter , I found there were poets who had no monuments , and monuments which had no poets . I observed ...
... character of the person departed in Greek or Hebrew , and by that means are not understood once in a twelvemonth . In the poetical quar- ter , I found there were poets who had no monuments , and monuments which had no poets . I observed ...
Page 84
... character of that plain gallant man , he is represented on his tomb by the figure of a beau , dressed in a long periwig , and reposing himself upon velvet cushions under a canopy of state . The inscription is answerable to the monument ...
... character of that plain gallant man , he is represented on his tomb by the figure of a beau , dressed in a long periwig , and reposing himself upon velvet cushions under a canopy of state . The inscription is answerable to the monument ...
Page 88
... characters composing it . The Spectator himself was Addi- son's creation , and Addison also elaborated Sir Roger , though Steele originated him . Whatever may be the respective claims of Addison and Steele to the credit for the success ...
... characters composing it . The Spectator himself was Addi- son's creation , and Addison also elaborated Sir Roger , though Steele originated him . Whatever may be the respective claims of Addison and Steele to the credit for the success ...
Other editions - View all
Common terms and phrases
abuse Addison admiration Æneid ancient Aristotle beauty BEN JONSON Cæsar called Cato character Church Church of England comedy common conversation Crantor delight divine doth effect enemy England essay ESTHER JOHNSON evil excellent expression eyes faculty friends genius give Greek hath honor human imagination imitation Italian Italy Juba Julius Cæsar kind King knowledge ladies language learning less Levana live Livy Lord Machiavelli manners matter ment mind moral nation nature never object observed opinion Othello pain passion person Petrarch philosopher Pindar Plato play pleasure Plutarch poem poesy poetical poetry poets political Pope praise Prince principles reason religion seems Sempronius sense sentiment Shakespeare Shakspere shew speak Spectator spirit Steele supposed Syphax taste Tatler things thought tion tragedy true truth Ulubrae verse Virgil virtue Whig whole words writings
Popular passages
Page 372 - Poetry is the record of the best and happiest moments of the happiest and best minds.
Page 354 - The great secret of morals is love; or a going out of our own nature, and an identification of ourselves with the beautiful which exists in thought, action, or person, not our own.
Page 12 - Only the poet, disdaining to be tied to any such subjection, lifted up with the vigour of his own invention, doth grow in effect into another nature, in making things either better than Nature bringeth forth, or, quite anew - forms such as never were in Nature...
Page 60 - Yet there happened in my time one noble speaker, who was full of gravity in his speaking. His language (where he could spare or pass by a jest) was nobly censorious. No man ever spake more neatly, more pressly, more weightily, or suffered less emptiness, less idleness, in what he uttered. No member of his speech, but consisted of his own graces. His hearers could not cough, or look aside from him, without loss. He commanded where he spoke ; and had his judges angry and pleased at his devotion.
Page 14 - Poesy, therefore, is an art of imitation, for so Aristotle termeth it in his word M'V')<"s, that is to say, a representing, counterfeiting, or figuring forth; to speak metaphorically, a speaking picture, with this end — to teach and delight.
Page 60 - ... more pressly, more weightily, or suffered less emptiness, less idleness, in what he uttered. No member of his speech but consisted of his own graces. His hearers could not cough or look aside from him without loss. He commanded where he spoke, and had his judges angry and pleased at his devotion. No man had their affections more in his power. The fear of every man that heard him was lest he should make an end.
Page 26 - ... he cometh to you with words set in delightful proportion, either accompanied with, or prepared for, the well enchanting skill of music; and with a tale forsooth he cometh unto you, with a tale which holdeth children from play, and old men from the chimney corner.
Page 15 - For these third be they which most properly do imitate to teach and delight, and to imitate borrow nothing of what is, hath been, or shall be; but range, only reined with learned discretion, into the divine consideration of what may be, and should be.
Page 78 - Bridge, said I, standing in the Midst of the Tide. The Bridge thou seest, said he, is human Life, consider it attentively. Upon a more leisurely Survey of it, I found that it consisted of threescore and ten entire Arches, with several broken Arches, which added to those that were entire, made up the Number about an hundred.
Page 350 - Hence the vanity of translation ; it were as wise to cast a violet into a crucible that you might discover the formal principle of its colour and odour, as seek to transfuse from one language into another the creations of a poet.