English Essays from Sir Philip Sidney to Macaulay: With Introductions, Notes and IllustrationsCharles William Eliot "A collection of essays written by English authors" --provided by cataloger. |
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Page 5
... Italy , and back by the Low Countries , returning to England at the age of twenty , an accomplished and courtly gentleman , with some experience of practical diplomacy , and a first - hand knowledge of the politics of the Continent ...
... Italy , and back by the Low Countries , returning to England at the age of twenty , an accomplished and courtly gentleman , with some experience of practical diplomacy , and a first - hand knowledge of the politics of the Continent ...
Page 6
... Italian sources , but it is thoroughly infused with Sidney's own personality ; and it may be regarded as the beginning of literary criticism in England . THE DEFENSE OF POESY BY SIR PHILIP SIDNEY HEN the 6 INTRODUCTION.
... Italian sources , but it is thoroughly infused with Sidney's own personality ; and it may be regarded as the beginning of literary criticism in England . THE DEFENSE OF POESY BY SIR PHILIP SIDNEY HEN the 6 INTRODUCTION.
Page 7
... Italian wit , did not only afford us the demonstration of his practice , but sought to enrich our minds with the con- templations therein which he thought most precious . But with none I remember mine ears were at any time more loaden ...
... Italian wit , did not only afford us the demonstration of his practice , but sought to enrich our minds with the con- templations therein which he thought most precious . But with none I remember mine ears were at any time more loaden ...
Page 9
... Italian language the first that made it aspire to be a treasure - house of science were the poets Dante , Boccace , and Petrarch ; so in our English were Gower and Chaucer , after whom , encouraged and delighted with their excellent ...
... Italian language the first that made it aspire to be a treasure - house of science were the poets Dante , Boccace , and Petrarch ; so in our English were Gower and Chaucer , after whom , encouraged and delighted with their excellent ...
Page 46
... Italian did affect it . Besides these , I do not remember to have seen but few ( to speak boldly ) printed , that have poetical sinews in them . For proof whereof , let but most of the verses be put in prose , and then ask the meaning ...
... Italian did affect it . Besides these , I do not remember to have seen but few ( to speak boldly ) printed , that have poetical sinews in them . For proof whereof , let but most of the verses be put in prose , and then ask the meaning ...
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abuse Addison admiration Æneid ancient Aristotle beauty BEN JONSON Cæsar called Cato character Church Church of England comedy common conversation Crantor delight divine doth effect enemy England essay ESTHER JOHNSON evil excellent expression eyes faculty friends genius give Greek hath honor human imagination imitation Italian Italy Juba Julius Cæsar kind King knowledge ladies language learning less Levana live Livy Lord Machiavelli manners matter ment mind moral nation nature never object observed opinion Othello pain passion person Petrarch philosopher Pindar Plato play pleasure Plutarch poem poesy poetical poetry poets political Pope praise Prince principles reason religion seems Sempronius sense sentiment Shakespeare Shakspere shew speak Spectator spirit Steele supposed Syphax taste Tatler things thought tion tragedy true truth Ulubrae verse Virgil virtue Whig whole words writings
Popular passages
Page 372 - Poetry is the record of the best and happiest moments of the happiest and best minds.
Page 354 - The great secret of morals is love; or a going out of our own nature, and an identification of ourselves with the beautiful which exists in thought, action, or person, not our own.
Page 12 - Only the poet, disdaining to be tied to any such subjection, lifted up with the vigour of his own invention, doth grow in effect into another nature, in making things either better than Nature bringeth forth, or, quite anew - forms such as never were in Nature...
Page 60 - Yet there happened in my time one noble speaker, who was full of gravity in his speaking. His language (where he could spare or pass by a jest) was nobly censorious. No man ever spake more neatly, more pressly, more weightily, or suffered less emptiness, less idleness, in what he uttered. No member of his speech, but consisted of his own graces. His hearers could not cough, or look aside from him, without loss. He commanded where he spoke ; and had his judges angry and pleased at his devotion.
Page 14 - Poesy, therefore, is an art of imitation, for so Aristotle termeth it in his word M'V')<"s, that is to say, a representing, counterfeiting, or figuring forth; to speak metaphorically, a speaking picture, with this end — to teach and delight.
Page 60 - ... more pressly, more weightily, or suffered less emptiness, less idleness, in what he uttered. No member of his speech but consisted of his own graces. His hearers could not cough or look aside from him without loss. He commanded where he spoke, and had his judges angry and pleased at his devotion. No man had their affections more in his power. The fear of every man that heard him was lest he should make an end.
Page 26 - ... he cometh to you with words set in delightful proportion, either accompanied with, or prepared for, the well enchanting skill of music; and with a tale forsooth he cometh unto you, with a tale which holdeth children from play, and old men from the chimney corner.
Page 15 - For these third be they which most properly do imitate to teach and delight, and to imitate borrow nothing of what is, hath been, or shall be; but range, only reined with learned discretion, into the divine consideration of what may be, and should be.
Page 78 - Bridge, said I, standing in the Midst of the Tide. The Bridge thou seest, said he, is human Life, consider it attentively. Upon a more leisurely Survey of it, I found that it consisted of threescore and ten entire Arches, with several broken Arches, which added to those that were entire, made up the Number about an hundred.
Page 350 - Hence the vanity of translation ; it were as wise to cast a violet into a crucible that you might discover the formal principle of its colour and odour, as seek to transfuse from one language into another the creations of a poet.