English Essays from Sir Philip Sidney to Macaulay: With Introductions, Notes and IllustrationsCharles William Eliot "A collection of essays written by English authors" --provided by cataloger. |
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Page 14
... Cato ; or natural , as Lucretius and Virgil's Georgics ; or astronomical , as Manilius and Pontanus ; or historical , as Lucan ; which who mislike , the fault is in their judgment quite out of taste , and not in the sweet food of ...
... Cato ; or natural , as Lucretius and Virgil's Georgics ; or astronomical , as Manilius and Pontanus ; or historical , as Lucan ; which who mislike , the fault is in their judgment quite out of taste , and not in the sweet food of ...
Page 24
... Cato driven to kill him- self , and rebel Cæsar so advanced that his name yet , after sixteen hundred years , lasteth in the highest honor ? And mark but even Cæsar's own words of the forenamed Sylla- who in that only did honestly , to ...
... Cato driven to kill him- self , and rebel Cæsar so advanced that his name yet , after sixteen hundred years , lasteth in the highest honor ? And mark but even Cæsar's own words of the forenamed Sylla- who in that only did honestly , to ...
Page 34
... in a thing so known to all men ? Who is it that ever was a scholar that doth not carry away some verses of Virgil , Horace , or Cato , which in his youth he learned , and even to his old age serve him 34 SIR PHILIP SIDNEY.
... in a thing so known to all men ? Who is it that ever was a scholar that doth not carry away some verses of Virgil , Horace , or Cato , which in his youth he learned , and even to his old age serve him 34 SIR PHILIP SIDNEY.
Page 39
... the defini- tion of fortitude . And therefore if Cato misliked Fulvius 37 " I gladly bid him be a fool . " - Adapted from Horace , " Sat. , " I. , 1. 63 . for carrying Ennius with him to the field , it THE DEFENSE OF POESY 39.
... the defini- tion of fortitude . And therefore if Cato misliked Fulvius 37 " I gladly bid him be a fool . " - Adapted from Horace , " Sat. , " I. , 1. 63 . for carrying Ennius with him to the field , it THE DEFENSE OF POESY 39.
Page 40
... Cato misliked it , the noble Fulvius liked it , or else he had not done it . For it was not the excellent Cato Uticensis , whose authority I would much more have reverenced ; but it was the former , in truth a bitter punisher of faults ...
... Cato misliked it , the noble Fulvius liked it , or else he had not done it . For it was not the excellent Cato Uticensis , whose authority I would much more have reverenced ; but it was the former , in truth a bitter punisher of faults ...
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abuse Addison admiration Æneid ancient Aristotle beauty BEN JONSON Cæsar called Cato character Church Church of England comedy common conversation Crantor delight divine doth effect enemy England essay ESTHER JOHNSON evil excellent expression eyes faculty friends genius give Greek hath honor human imagination imitation Italian Italy Juba Julius Cæsar kind King knowledge ladies language learning less Levana live Livy Lord Machiavelli manners matter ment mind moral nation nature never object observed opinion Othello pain passion person Petrarch philosopher Pindar Plato play pleasure Plutarch poem poesy poetical poetry poets political Pope praise Prince principles reason religion seems Sempronius sense sentiment Shakespeare Shakspere shew speak Spectator spirit Steele supposed Syphax taste Tatler things thought tion tragedy true truth Ulubrae verse Virgil virtue Whig whole words writings
Popular passages
Page 372 - Poetry is the record of the best and happiest moments of the happiest and best minds.
Page 354 - The great secret of morals is love; or a going out of our own nature, and an identification of ourselves with the beautiful which exists in thought, action, or person, not our own.
Page 12 - Only the poet, disdaining to be tied to any such subjection, lifted up with the vigour of his own invention, doth grow in effect into another nature, in making things either better than Nature bringeth forth, or, quite anew - forms such as never were in Nature...
Page 60 - Yet there happened in my time one noble speaker, who was full of gravity in his speaking. His language (where he could spare or pass by a jest) was nobly censorious. No man ever spake more neatly, more pressly, more weightily, or suffered less emptiness, less idleness, in what he uttered. No member of his speech, but consisted of his own graces. His hearers could not cough, or look aside from him, without loss. He commanded where he spoke ; and had his judges angry and pleased at his devotion.
Page 14 - Poesy, therefore, is an art of imitation, for so Aristotle termeth it in his word M'V')<"s, that is to say, a representing, counterfeiting, or figuring forth; to speak metaphorically, a speaking picture, with this end — to teach and delight.
Page 60 - ... more pressly, more weightily, or suffered less emptiness, less idleness, in what he uttered. No member of his speech but consisted of his own graces. His hearers could not cough or look aside from him without loss. He commanded where he spoke, and had his judges angry and pleased at his devotion. No man had their affections more in his power. The fear of every man that heard him was lest he should make an end.
Page 26 - ... he cometh to you with words set in delightful proportion, either accompanied with, or prepared for, the well enchanting skill of music; and with a tale forsooth he cometh unto you, with a tale which holdeth children from play, and old men from the chimney corner.
Page 15 - For these third be they which most properly do imitate to teach and delight, and to imitate borrow nothing of what is, hath been, or shall be; but range, only reined with learned discretion, into the divine consideration of what may be, and should be.
Page 78 - Bridge, said I, standing in the Midst of the Tide. The Bridge thou seest, said he, is human Life, consider it attentively. Upon a more leisurely Survey of it, I found that it consisted of threescore and ten entire Arches, with several broken Arches, which added to those that were entire, made up the Number about an hundred.
Page 350 - Hence the vanity of translation ; it were as wise to cast a violet into a crucible that you might discover the formal principle of its colour and odour, as seek to transfuse from one language into another the creations of a poet.