The Works of Percy Bysshe Shelley in Verse and Prose, how First Brought Together with Many Pieces Not Before Published, Volume 7Reeves and Turner, 1880 |
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Page v
... FRAGMENT OF A ROMANCE EDITOR'S NOTE BEFORE THE COLISEUM THE COLISEUM NOTES ON SCULPTURES IN ROME AND FLORENCE 11 16 17 222868 27 EDITOR'S NOTE BEFORE THE NOTES ON SCULPTURES 42 I. THE ARCH OF TITUS 43 PROSE . VOL . III . b PAGE NOTES ON ...
... FRAGMENT OF A ROMANCE EDITOR'S NOTE BEFORE THE COLISEUM THE COLISEUM NOTES ON SCULPTURES IN ROME AND FLORENCE 11 16 17 222868 27 EDITOR'S NOTE BEFORE THE NOTES ON SCULPTURES 42 I. THE ARCH OF TITUS 43 PROSE . VOL . III . b PAGE NOTES ON ...
Page viii
... FRAGMENT OF A LETTER TO THe Editor of tHE QUARTERLY REVIEW . 80 UNA FAVOLA 83 A FABLE ( TRANSLATION BY RICHARD GARNETT ) 91 A DEFENCE OF POETRY A DEFENCE OF POETRY . EDITOR'S NOTE BEFORE A DEFENCE OF POETRY 98 99 145 THREE FRAGMENTS ON ...
... FRAGMENT OF A LETTER TO THe Editor of tHE QUARTERLY REVIEW . 80 UNA FAVOLA 83 A FABLE ( TRANSLATION BY RICHARD GARNETT ) 91 A DEFENCE OF POETRY A DEFENCE OF POETRY . EDITOR'S NOTE BEFORE A DEFENCE OF POETRY 98 99 145 THREE FRAGMENTS ON ...
Page ix
Percy Bysshe Shelley Harry Buxton Forman. PAGE TRANSLATIONS - continued EDITOR'S NOTE BEFORE FRAGMENTS OF THE REPUBLIC . 298 FRAGMENTS OF PLATO'S REPUBLIC , WITH NOTES 299 ON A PASSAGE IN CRITO 310 ON THE DEMON OF SOCRATES 312 EDITOR'S ...
Percy Bysshe Shelley Harry Buxton Forman. PAGE TRANSLATIONS - continued EDITOR'S NOTE BEFORE FRAGMENTS OF THE REPUBLIC . 298 FRAGMENTS OF PLATO'S REPUBLIC , WITH NOTES 299 ON A PASSAGE IN CRITO 310 ON THE DEMON OF SOCRATES 312 EDITOR'S ...
Page 4
... fragment containing the conception of the character of Falkland , doubtless we should say , " This is an extraordinary mind , and undoubtedly was capable of the very sublimest enterprises of thought . " St. Leon and Fleetwood are ...
... fragment containing the conception of the character of Falkland , doubtless we should say , " This is an extraordinary mind , and undoubtedly was capable of the very sublimest enterprises of thought . " St. Leon and Fleetwood are ...
Page 20
... fragment begins with a quotation from the fifth Canto . It will be useful to supply here the thread of the story . As soon as Anthemion has thrown the flower into the water he hears a sudden cry , Calliroë's voice : He turned to plunge ...
... fragment begins with a quotation from the fifth Canto . It will be useful to supply here the thread of the story . As soon as Anthemion has thrown the flower into the water he hears a sudden cry , Calliroë's voice : He turned to plunge ...
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Common terms and phrases
admirable Agathon Alcibiades Anthemion Apollo Apollodorus appeared Arch of Titus arches Aristodemus Aristophanes arms Athenæum Bacchus beautiful Caleb Williams called CANTO character child Coliseum countenance dæmon death delight desire Diotima discourse divine drama effect Eryximachus Essays eternal evil excellent expression faculty father feel flower former editions fragment Gods Greeks hair hand harmony Hesiod Homer honour human imagination immortal inspired knowledge language Laocoon letter Love Mandeville manner Medwin omits Medwin reads Medwin's version MENEXENUS mind moral Muse nature never Note object observe passion Pausanias perfect perhaps person Phædrus Plato pleasure poem poetical poetry poets portion possession praise previous editions produced prose PROSE.-VOL relation rhapsodist Rhododaphne sculpture seems sense Shelley Papers Shelley read Shelley's society Socrates soul speak spirit sweet tender things Thomas Love Peacock thou thought tion transcript translation truth verses whilst wisdom wonder words writing youth
Popular passages
Page 139 - Poetry thus makes immortal all that is best and most beautiful in the world ; it arrests the vanishing apparitions which haunt the interlunations of life, and veiling them, or in language or in form, sends them forth among mankind, bearing sweet news of kindred joy to those with whom their sisters abide — abide, because there is no portal of expression from the caverns of the spirit which they inhabit into the universe of things. Poetry redeems from decay the visitations of the divinity in man.
Page 78 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand.
Page 144 - Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present; the words which express what they understand not; the trumpets which sing to battle, and feel not what they inspire; the influence which is moved not, but moves. Poets are the unacknowledged legislators of the world.
Page 137 - ... when composition begins, inspiration is already on the decline, and the most glorious poetry that has ever been communicated to the world is probably a feeble shadow of the original conceptions of the poet.
Page 130 - All high poetry is infinite; it is as the first acorn, which contained all oaks potentially. Veil after veil may be undrawn, and the inmost naked beauty of the meaning never exposed. A great poem is a fountain for ever overflowing with the waters of wisdom and delight; and after one person and one age has exhausted all its divine effluence which their peculiar relations enable them to share, another and yet another succeeds, and new relations are ever developed, the source of an unforeseen and an...
Page 112 - A poet therefore would do ill to embody his own conceptions of right and wrong, which are usually those of his place and time, in his poetical creations, which participate in neither.
Page 143 - The most unfailing herald, companion, and follower of the awakening of a great people to work a beneficial change in opinion or institution, is poetry. At such periods there is an accumulation of the power of communicating and receiving intense and impassioned conceptions respecting man and nature.
Page 136 - What were virtue, love, patriotism, friendship — what were the scenery of this beautiful universe which we inhabit; what were our consolations on this side of the grave — and what were our aspirations beyond it, if poetry did not ascend to bring light and fire from those eternal regions where the owl-winged faculty of calculation dare not ever soar? Poetry is not like reasoning, a power to be exerted according to the determination of the will. A man cannot say, "I will compose poetry.
Page 106 - Sounds as well as thoughts have relation both between each other and towards that which they represent, and a perception of the order of those relations has always been found connected with a perception of the order of the relations of thought.
Page 100 - Reason is the enumeration of quantities already known; imagination is the perception of the value of those quantities, both separately and as a whole. Reason respects the differences, and imagination the similitudes of things. Reason is to imagination as the instrument to the agent, as the body to the spirit, as the shadow to the substance.