This is no flattery: these are counsellors Which, like the toad, ugly and venomous, Finds tongues in trees, books in the running brooks, Ami. I would not change it: Happy is your grace. That can translate the stubbornness of fortune Into so quiet and so sweet a style. Duke S. Come, shall we go and kill us venison? And yet it irks me, the poor dappled fools,― Being native burghers of this desert city,Should, in their own confines, with forked heads Have their round haunches gor'd. 1st Lord. Indeed, my lord, The melancholy Jacques grieves at that; And, in that kind, swears you do more usurp Than doth your brother that hath banish'd you. To-day, my lord of Amiens, and myself, Did steal behind him, as he lay along, Under an oak whose antique root peeps out Upon the brook that brawls along this wood: To the which place a poor sequester'd stag, That from the hunters' aim had ta'en a hurt, Did come to languish; and, indeed, my lord, The wretched animal heav'd forth such groans, That their discharge did stretch his leathern coat Almost to bursting; and the big round tears Cours'd one another down his innocent nose In piteous chase: and thus the hairy fool, Much marked of the melancholy Jacques, Stood on the extremest verge of the swift brook, Augmenting it with tears. Duke S. But what said Jacques ? Did he not moralize this spectacle ? 1st Lord. O, yes, into a thousand similes. And never stays to greet him; Ay, quoth Jacques, Upon that poor and broken bankrupt there? Duke S. And did you leave him in this contemplation? 2nd Lord. We did, my lord, weeping, and commenting Upon the sobbing deer. Duke S. Show me the place; I love to cope him in these sullen fits, For then he's full of matter. 2nd Lord. I'll bring you to him straight. [Exeunt. Oliver, foiled in his scheme to destroy Orlando at the wrestling-match, plots othet means "to cut his brother off." Adam learns his intentions, and the faithful old man reveals them to Orlando. SCENE III.-Before Oliver's House. Enter ORLANDO and ADAM, meeting. Orl. Who's there? Adam. What! my young master?-O, my gentle master, O, my sweet master, O you memory Of old Sir Rowland! why, what make you here? Why are you virtuous? Why do people love you? And wherefore are you gentle, strong, and valiant? The bony priser of the humorous duke? Your praise is come too swiftly home before you. O, what a world is this, when what is comely Orl. Why, what's the matter? Adam. O unhappy youth, Come not within these doors; within this roof The enemy of all your graces lives: Your brother-(no, no brother; yet the son- Of him I was about to call his father,)– Hath heard your praises; and this night he means This is no place, this house is but a butchery; Orl. Why, whither, Adam, wouldst thou have me go? Orl. What, wouldst thou have me go and beg my food? A thievish living on the common road? This I must do, or know not what to do: I rather will subject me to the malice Of a diverted blood, and bloody brother. Adam. But do not so; I have five hundred crowns, Orl. good old man; how well in thee appears Adam. Master, go on; and I will follow thee, [Exeuni SCENE IV.-The Forest of Arden. Enter ROSALIND in boy's clothes, CELIA drest like a Shepherdess, and TOUCHSTONE. Ros. O Jupiter! how weary are my spirits! Touch. I care not for my spirits, if my legs were not weary. Ros. I could find in my heart to disgrace my man's apparel, and to cry like a woman: but I must comfort the weaker vessel, as doublet and hose ought to show itself courageous to petticoat: therefore, courage, good Aliena. Cel. I pray you, bear with me; I can go no further. you have Touch. For my part, I had rather bear with you, than bear you: yet I should bear no cross, if I did bear you; for, I think, no money in your purse. Ros. Well, this is the forest of Arden. Touch. Ay, now am I in Arden: the more fool I; when I was at home, I was in a better place; but travellers must be content. Ros. Ay, be so, good Touchstone:-Look you, who comes here; a young man, and an old, in solemn talk. Enter CORIN, and SILVIUS. Cor. That is the way to make her scorn you still. Cor. Into a thousand that I have forgotten. O, if thou hast not sat as I do now, Wearying thy hearer in thy mistress' praise, Or, if thou hast not broke from company, Abruptly, as my passion now makes me, Thou hast not lov'd: O Phebe, Phebe, Phebe ! Ros. Alas, poor shepherd! searching of thy wound, I have by hard adventure found mine own. [Exit SILVIUS. Touch. And I mine: We, that are true lovers, run into strange capers; but as all is mortal in nature, so is all nature in love mortal in folly. Ros. Thou speak'st wiser, than thou art 'ware of. Touch. Nay, I shall ne'er be 'ware of mine own wit, till I break my shins against it. Ros. Jove! Jove! this shepherd's passion Is much upon thy fashion. Touch. And mine; but it grows something stale with me. Cel. I pray you, one of you question yond man, f he for gold will give us any food; faint almost to death. Touch. Holla: you, clown! Cor. Who calls? Peace, fool; he's not thy kinsman. Touch. Your betters, sir. Cor. Else are they very wretched. od even to you, friend. Peace, I say: Cor. And to you, gentle sir, and to you all. Cor. Fair sir, I pity her. And wish for her sake, more than for mine own, And little recks to find the way to heaven Besides, his cote, his flocks, and bounds of feed, And in my voice most welcome shall you be. Ros. What is he that shall buy his flock and pasture? Cor. That young swain that you saw here but erewhile, That little cares for buying any thing. Ros. I pray thee, if it stand with honesty, Buy thou the cottage, pasture, and the flock, And thou shalt have to pay for it of us. Cel. And we will mend thy wages: I like this place, And willingly could waste my time in it. Cor. Assuredly, the thing is to be sold: Go with me; if you like, upon report, [Exeunt. |