 | Richard Cumberland - Authors, English - 1807 - 456 pages
...every muscle and in every feature, come bounding on the stage, and pointing at the wittol Altamont and heavy-paced Horatio —heavens, what a transition ! — it seemed as if a whole century had -been stept over in the transition of a single scene ; old things were done away, and a new order at once... | |
 | Theater - 1829 - 390 pages
...muscle and in every feature, come bounding on the stage, and pointing at Altamont, and heavy paced Horatio, Heavens ! what a transition ! it seemed as if a whole century had been swept over in the transition of a single scene. CORNEILLE. to BOILEAU thought Corneille the most majestic of authors,... | |
 | Lord Francis Jeffrey Jeffrey - English essays - 1844 - 622 pages
...expectation, I first beheld little Garrick, then young and light, and alive in every muscle and in every feature, come bounding on the stage, and pointing at the wittol Altamont and heavy-paced Horatio — heavens, what a transition! — it seemed as if a whole century had been stepped... | |
 | Lord Francis Jeffrey Jeffrey - Edinburgh review - 1846 - 754 pages
...expectation, I first beheld little Garrick, then young and light, and alive in every muscle and in every feature, come bounding on the stage, and pointing at the wittol Altamont and heavy-paced Horatio— heavens, what a transition!—it seemed as if a whole century had been stepped... | |
 | Leigh Hunt - London (England) - 1848 - 334 pages
...in every feature, come bounding on the stage, and pointing at the wittol Altamont and heavy -paced Horatio — heavens, what a transition! — it seemed as if a whole century had been swept over in the transition of a single scene ; old things were done away and a new order at once brought forward, bright... | |
 | Leigh Hunt - London (England) - 1848 - 348 pages
...eager expectation, I first beheld little Garrick, then young and light and alive in every muscle and in every feature, come bounding on the stage, and pointing at the wittol Altamont and heavy -paced Horatio — heavens, what a transition! — it seemed as if a whole century had been swept... | |
 | John Forster - 1854 - 642 pages
...expectation, I first beheld little Garrick, then younfj " and light and alive in every muscle and in every feature, " come bounding on the stage, and pointing at the wittol 1759. " Altamont and heavy-paced Horatio — Heavens ! what a Mt,. 31. " transition ! it seemed as... | |
 | United States - 1856 - 642 pages
...expectation, I first beheld little Garrick, then young and light, and alive in every muscle and in every feature, come bounding on the stage, and pointing at the wittol Altamont and heavy-paced Horatio—- heavens, what a transition ! — it seemed as if a whole century had been stepped... | |
 | Richard Cumberland - Dramatists, English - 1856 - 424 pages
...eager expectation, I first beheld little Garrick, then young and light and alive in every muscle and in every feature, come bounding on the stage, and pointing at the wittol Altamont and heavy-paced Horatio — heavens, what a transition ! — it seemed as if a whole century had been stepped... | |
 | Leigh Hunt - London - 1859 - 478 pages
...every muscle and in every feature, come bounding on the stage, and pointing at the wittol Altamont and heavypaced Horatio — heavens, what a transition!...seemed as if a whole century had been swept over in the transition of a single scene; old things were done away and a new order at once brought forward, bright... | |
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... after long and eager expectation, I first beheld little Garrick, then young and light and alive in every muscle and in every feature, come bounding on the stage, and pointing at the wittol Altamont and heavypaced Horatio — heavens, what a transition!... 
