Acting with the Voice: The Art of Recording BooksThis book offers hard practical advice on getting started in and pursuing the craft of recording books, and excellent literary samples to nourish the reader's practice. The 'Notes, Comments and Hints' sections in each chapter are filled with historical titbits that are informative, in context, and aptly illustrate the meaning and perspective behind the excerpts chosen.'Acting with the Voice' includes this and more: Getting Started in the Book Recording Business (Getting an Agent, The Casting Process, The Recording Session: What a Director Expects, Publishers of Recorded Books in the US, Book Recording in the UK and Canada ) The Voice (Finding Your Voice, Paralinguistics: How to Do Different Voices, Vocal Exercises) Diction and Pronunciation (Phonetics, Positions of Vocal Apparatus, Practice Exercises for Good Diction) Microphone and General Recording Technique Acting Methods and Techniques Reading Techniques (Preparing the Text for Recording, Charles Dickens: His Public Readings, Helen Potter's Impersonations) Recording Prose Fiction (Understanding Style and Period, Reading Different Kinds of Scenes, The Character's Voice: Creating a Character Vocally, Using Accents) Recording Plays Recording Poetry Recording Nonfiction: Making the Text Come Alive (Essays and Philosophy, Autobiography and Memoirs, Illustrative Texts: Biography). |
Contents
The Voice | 15 |
Diction and Pronunciation | 29 |
Microphone and General Recording Techniques | 61 |
Copyright | |
24 other sections not shown
Other editions - View all
Common terms and phrases
accents acting action actor actually aloud American asked attitude become beginning breath British RP called Chapter character clear COMMENTS AND HINTS consonant course deal described Dickens directed effect emotional English example exercise expression eyes father feel fiction French give hand hear heard idea important instance kind language later learned listener lived look means mind narrator nature never NOTES novel objective once opening performance perhaps period person phrases pitch play poem practice pronounced pronunciation published reader recording rhythm scene sense sentence simply slightly someone sometimes sound speak stage story stress style substitution syllable talking tell things thought tion tone tongue turned usually vocal voice vowel wish words writing written