Classical Myth and Culture in the CinemaMartin M. Winkler Professor of Classics George Mason University Classical Myth and Culture in the Cinema is a collection of essays presenting a variety of approaches to films set in ancient Greece and Rome and to films that reflect archetypal features of classical literature. The diversity of content and theoretical stances found in this volume will make it required reading for scholars and students interested in interdisciplinary approaches to text and image. |
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... Camera , Eye of the Victim : Iphigenia by Euripides and Cacoyannis 90 Marianne McDonald V Iphigenia : A Visual Essay 102 Michael Cacoyannis VI Tragic Features in John Ford's The Searchers 118 Martin M. Winkler VII An American Tragedy ...
... Camera , Eye of the Victim : Iphigenia by Euripides and Cacoyannis 90 Marianne McDonald V Iphigenia : A Visual Essay 102 Michael Cacoyannis VI Tragic Features in John Ford's The Searchers 118 Martin M. Winkler VII An American Tragedy ...
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... camera . 15 If Plato's Cave parallels the physical environment of the cinema , is there also an ancient text that shows us what an ancient film , if I may put it in such an anachronistic term , might have looked like ? Indeed there is ...
... camera . 15 If Plato's Cave parallels the physical environment of the cinema , is there also an ancient text that shows us what an ancient film , if I may put it in such an anachronistic term , might have looked like ? Indeed there is ...
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... camera , " director Elia Kazan has observed , " is more than a recorder . It's a microscope that penetrates . It goes into people , and you see their most private and concealed thoughts . " 26 To this we could add : and their emotions ...
... camera , " director Elia Kazan has observed , " is more than a recorder . It's a microscope that penetrates . It goes into people , and you see their most private and concealed thoughts . " 26 To this we could add : and their emotions ...
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Martin M. Winkler Professor of Classics George Mason University. the camera presents on the screen to be able to reach and interpret the invisible . After all , as Christian Metz has pointed out : " A film is difficult to explain because ...
Martin M. Winkler Professor of Classics George Mason University. the camera presents on the screen to be able to reach and interpret the invisible . After all , as Christian Metz has pointed out : " A film is difficult to explain because ...
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... camera " takes . " In some cases , even whole scenes or indi- vidual moments intended for television broadcasts as alternatives to those shown theatrically , especially if sex and violence are an issue , are now included . Roughly , all ...
... camera " takes . " In some cases , even whole scenes or indi- vidual moments intended for television broadcasts as alternatives to those shown theatrically , especially if sex and violence are an issue , are now included . Roughly , all ...
Contents
1 | |
3 | |
Zinnemann Fred 8 n 7 122 279 n 17 | 17 |
Narrative Strategy in the Odyssey | 2 |
Michael Cacoyannis and Irene Papas on Greek Tragedy 72 | |
Iphigenia | |
A Visual Essay 102 | |
Tragic Features in John Fords The Searchers 118 | |
9 to 5 as Aristophanic Comedy 172 | |
Ancient Poetics and Eisensteins Films 193 | |
Peter Greenaways The Cook The Thief His Wife | |
The Social Ambience of Petronius Satyricon | |
Star Wars and the Roman Empire 272 | |
Teaching Classical Myth and Confronting Contemporary | |
The Sounds of Cinematic Antiquity 319 | |
Index 339 | |
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Common terms and phrases
Achilles Aeneas Aeneid Agamemnon Albert American ancient antiquity Aristophanes Aristotle artistic audience Ben-Hur Cacoyannis Cacoyannis's Calchas camera characters Chinatown CINEMA CLASSICAL MYTH Clytemnestra Comedy comic contemporary critical Cyclopes Darth Vader death Debbie drama Eisenstein emotional epic essay Ethan Euripides example eyes Fellini Satyricon film film noir film's genre Georgina Gittes Greece Greek myth Greek tragedy Greenaway hero hero's Homer human husband images Iphigenia John Ford katabasis katabatic Keaton Keyser Soze killed Kujan later literary literature Lucas's Lysistrata Marcus Martin Michael modern Mulwray murder MYTH & CULTURE mythic mythology narrative Odysseus Oedipus Ovid parallels Petronius Phaeacians Philomela play plot Poetics political popular Procne quotation reveals Roman Empire Rome Rózsa Scar scene score sexual shot Soze stage Star Wars story Tereus theme tion tradition tragic Trojan truth Turnus University Press Verbal victim Vietnam viewer visual western wife women words York
Popular passages
Page 19 - One might generalize by saying: the technique of reproduction detaches the reproduced object from the domain of tradition. By making many reproductions it substitutes a plurality of copies for a unique existence.
Page 6 - Talibus orabat dictis, arasque tenebat, cum sic orsa loqui vates : ' Sate sanguine divom, 125 Tros Anchisiade, facilis descensus Averno ; noctes atque dies patet atri janua Ditis ; sed revocare gradum superasque evadere ad auras, hoc opus, hie labor est.
Page 19 - Eisenstein — while asseverating the fundamentally intellectual nature of viewing: ". . .our cinema is not altogether without parents and without pedigree, without a past, without the traditions and rich cultural heritage of the past epochs.
Page 7 - ... crops in season, and there are meadow lands near the shores of the gray sea, well watered and soft; there could be grapes grown there endlessly, and there is smooth land for plowing, men could reap a full harvest always in season, since there is very rich subsoil. Also there is an easy harbor, with no need for a hawser nor anchor stones to be thrown ashore nor cables to make fast; one could just run ashore and wait for the time when the sailors' desire stirred them to go and the right winds were...
Page 16 - ... feels as if in exile - exiled not only from the stage but also from himself. With a vague sense of discomfort he feels inexplicable emptiness: his body loses its corporeality, it evaporates, it is deprived of reality, life, voice, and the noises caused by his moving about, in order to be changed into a mute image, flickering an instant on the screen, then vanishing into silence. . . . The projector will play with his shadow before the public, and he himself must be content to play before the...