Ant. Unarm, Eros; the long day's task is done, The feven-fold fhield of Ajax cannot keep [Exit Eros. 5 With ships made cities, condemn myself, to lack Difgrace and horror, that, on my command, 1301 351 40 I will o'ertake thee, Cleopatra, and Eros. What would my lord? Aut. Since Cleopatra dy'd, I have liv'd in fuch dishonour, that the gods Eras. I would not fee 't. [cur'd. Ant. Come then; for with a wound I must be Draw that thy honest sword, which thou haft worn Moft ufeful for thy country. Eros. O, fir, pardon me. [then Ant. Thrice nobler than myself! Thou teacheft me, O valiant Eros, what I fhould, and thou could'ft not. My queen and Eros 50 A noblenefs in record: But I will be A bridegroom in my death, and run into 't [Falling on bis faword. Shakspeare has here (Dr. Warburton fays), as ufual, taken his metaphor from a low trivial subject; but has ennobled it with much art, by fo contriving that the principal term in the fubject from whence the metaphor was taken, fhould belong to, and fuit the dignity of, the fubject to which the metaphor is transferred; thereby providing at once for the integrity of the figure, and the nobleness of the thought; and this by the word triumph, which either fignifics Octavius's conqueft, or what we now call, contractedly, the trump at cards, then called the triumph or the triumphing fort. 2 i. e. the thing that contains thee. 3 Dr. Johnson thinks we should read, "Seel then, and all is done :” i. e. Clofe thine eyes for ever, and be quiet. To feel barks is to close their eyes. 4 Arms folded in each 6 Gerrigible for corrected, and afterwards penetrative for penetrating. other. 5 the authority. Worship is the dignity I learn'd Of what I have begun. 2 Guard. The ftar is fallen. 1 Guard. And time is at his period. All. Alas, and woe! Ant. Let him that loves me, ftrike me dead. 1 Guard. Not I. 2 Guard. Nor I. 3 Guard. Nor any one. [Exeunt. Der. Thy death and fortunes bid thy followers fly. Cleo. No, I will not : All strange and terrible events are welcome, 10 Proportion'd to our cause, must be as great As that which makes it.-How now? is he dead? This sword but fhewn to Cæfar, with this tidings, 15 His guard have brought him thither. Enter Diomedes. Dio. Where's Antony? Der. There, Diomed, there. Dio. Lives he? Wilt thou not anfwer, man ? Sufficing ftrokes for death. Dio. Moft abfolute lord, My mistress Cleopatra fent me to thee. Dio. Now, my lord. Ant. Where is the? [phefying fear Enter Antony, borne by the guard. Cleo. O fun, Help, Charmian, help; Iras, help; help, friends Ant. Peace: Not Cæfar's valour hath o'erthrown Antony, 25 But Antony's hath triumph'd on itself. Dio. Lock'd in her monument. She had a pro-30 She had difpos'd1 with Cæfar, and that your rage dead; But, fearing fince how it might work, hath fent I pr'ythee. I Cleo. So it fhould be, that none but Antony I here importune death a while, until Cleo. I dare not, [have Dear, dear, my lord, pardon; I dare not, Ant. Too late, good Diomed :-Call my guard, Enter a Guard. Ant. O, quick, or I am gone. [fate 50 Ant. Nay, good my fellows, do not please sharp [Exeunt, bearing Antony To difpofe may here fignify to make terms, to fettle matters. 2 i. e. without light. the fun to burn his own orb, the vehicle of light, and then the earth will be dark. 4 i. e. adorn'd. A brooch was an ornament formerly worn in the hat. Brooches in the North are buckles fet with stones, fuch as those with which shirt-bofoms and handkerchiefs are clasped. 5 i. e. filent coolness of refolution. • Dr. Johnson supposes the meaning of these strange words to be, "Here's trifling! You do not work in earnest." 7 That is, Revive by my kifs. Clea Cles. No, let me fpeak; and let me rail fo high, That the falfe hufwife Fortune break her wheel, Provok'd by my offence. Ant. One word, fweet queen: Of Cæfar feek your honour, with your safety.--O!--| 5 Ant. Gentle, hear me : None about Cæfar trust, but Proculeius. Cleo. My refolution, and my hands, I'll truft, Ant. The miferable change now at my end, My countryman, a Roman, by a Roman [Antony dies. Cleo. Nobleft of men, woo't die? In this dull world, which in thy absence is The foldier's pole is fallen ; young boys, and girls, Beneath the vifiting moon. Gar. O, quietness, lady! [She faints. Iras. She is dead too, our fovereign. Iras. Madam !-- Char. O madam, madam, madam,--- Cleo. No more---but e'en a woman; and commanded By fuch poor paffion as the maid that milks, 15 Become a dog that's mad: Then is it fin, Ere death dare come to us ?---How do you, women? 20 My noble girls !---Ah, women, women! look, Our lamp is fpent, it's out:-Good firs, take heart :-- [noble, Caf Go O to him, Dolabella, bid him yield; The paufes that he makes 3. Del. Cæfar, I fhall. Caf. The breaking of fo great a thing should make 40 Should have fhook lions into civil streets, 45 [Exit Dolabella. Enter Dercetas, with the fword of Antony. Der. I am call'd Dercetas ; Best to be ferv'd: whilft he ftood up, and spoke, To spend upon his haters: If thou please To take me to thee, as I was to him I'll be to Cæfar; if thou pleasest not, I yield thee up my life. Caf. What is 't thou say'st? Der. I fay, O Cæfar, Antony is dead. Is not a fingle doom; in the name lay Der. He is dead, Cæfar; Not by a publick minister of justice, Hath, with the courage which the heart did lend it, 50 Splitted the heart.---This is his sword, I robb'd his wound of it; behold it stain'd Caf. Look you fad, friends? The gods rebuke me, but 5 it is a tidings Agr. And strange it is, Mec. His taints and honours 'He at whom the foldiers pointed, as at a pageant held high for obfervation. 2 i. e. taskwork. Hence the modern term cbare-woman. 3 i. e. he trifles with us. 4 Dr. Johnson conjectures, that a line is loft here. Mr. Malone, however, believes that only two words are wanting, and proposes to read, "The round world foould have fbook, Thrown raging lions into civil fireets, And citizens to their dens.” 5 But for if not. Waged I have follow'd thee to this ;-But we do lance ftars, Unreconciliable, should divide Our equalness to this 2.---Hear me, good friends,--- Enter an Egyptian. The bufinefs of this man looks out of him, Confin'd in all fhe has, her monument, Caf. Bid her have good heart; She foon fhall know of us, by fome of ours, Egypt. So the gods preferve thee! [Exit. [Exeunt. In all my writings: Go with me, and fee SCENE II. Enter Cleopatra, Charmian, and Iras. 15 To do that thing that ends all other deeds; Enter, below, Proculeius, Gallus, &c. Ægypt; And bids thee ftudy on what fair demands Pro. My name is Proculeius. Did tell me of you, bade me truft you; but 251 do not greatly care to be deceiv'd, That have no ufe for trufting. If your mafter Pro. Be of good cheer; You are fallen into a princely hand, fear nothing: Caf. Come hither, Proculeius; Go, and say, Cleo. Pray you, tell him I am his fortune's vaffal, and I fend him The greatness he has got 5. I hourly learn A doctrine of obedience; and would gladly 45 Look him i' the face. 50 [Exit Gallus. Caf. Let him alone, for I remember now Char. O Cleopatra! thou art taken, queen! 55 Cleo. Quick, quick, good hands. [Drawing a dagger. Proculeius rufes in, and difarms the Queen. * i. e. his taints and bonours were an equal match; were opposed to each other in just proportions, like the counterparts of a wager. 2 That is, should have made us, in our equality of fortune, difagree to a pitch like this, that one of us muft die. 3 i. e. the fervant of fortune. 4 i. e. Voluntary death produces a state which has no longer need of the grofs and terrene fuftenance, in the use of which Cæfar and the beggar are on a level. 5 Praying in aid is a law term, used for a petition made in a court of justice for the calling in of help from another that hath an intereft in the caufe in question. ⚫ I allow him to be my conqueror. Pr Cico. What, of death too, that rids our dogs of Do not abuse our mafter's bounty, by The undoing of yourself: let the world fee Cles. Where art thou, death? Dol. Moft fovereign creature,-- Cleo. His legs beftrid the ocean; his rear'd arm 5 But when he meant to quail and shake the orb, He was as rattling thunder. For his bounty, There was no winter in't; an autumn 'twas, That grew the more by reaping: His delights Were dolphin-like; they fhew'd his back above [queen to The element they liv'd in: In his livery Come hither, come! come, come, and take a Pro. O, temperance, Fady! Clea. Sir, I will eat no meat, I'll not drink, fir; I'll not fleep neither: This mortal houfe I'll ruin, Of cenfuring Rome? Rather a ditch in Ægypt Pro. You do extend These thoughts of horror further than you shall Enter Dolabella. Del. Proculeius, What thou haft done thy mafter Cæfar knows, Pro. So, Dolabella, It shall content me beft: be gentle to her.--- If you'll employ me to him. Cleo. Say, I would die. [were [man Cleo. Think you there was, or might be, fuch a 15 As this I dream'd of? Dol. Gentle madam, no. Cleo. You lye, up to the hearing of the gods. Dol. Hear me, good madam: Your lofs is as yourself, great; and you bear it By the rebound of yours, a grief that shoots Cleo. I thank you, fir. 30 Know you, what Cæfar means to do with me? Dol. I am loth to tell you what I would you Cleo. Nay, pray you, fir,-- Dol. Though he be honourable,-- Cleo. He'll lead me then in triumph? 35 Dol. Madam, he will; I know it. All. Make way there,---Cæfar. [knew. Enter Cæfar, Gallus, Mecanas, Proculeius, and Attendants. Caf. Which is the queen of Ægypt? [To Cleopatra. 40 Dol. It is the emperor, madam. [Exit Proculeius. Cæfar. Arife, you shall not kneel: I pray you, rife; rise, Ægypt. Cleo. Sir, the gods [Cleo. kneels. Will have it thus; my master and my lord Caf. Take to you no hard thoughts: Cleo. Sole fir o' the world, cannot project 5 mine own caufe fo well Caf. Cleopatra, know, We will extenuate rather than enforce: 1 Once may mean fometimes. The meaning of Cleopatra feems to be this: If idle talking be fometimes neceffary to the prolongation of life, why I will not fleep, for fear of talking idly in my fleets i. e. the little orb or circle. 3 Plates probably mean, filver money. 4 The word piece is a terra appropriated to works of art. Here Nature and Fancy produce each their piece, and the piece done by Nature had the preference. Antony was in reality paft the fize of dreaming; he was more by Nature than Fancy could prefent in fleep. 5. To project a cause is to reprefent a caufe; to project it will, is co plan or contrive a fcheme of defence. (Which |